Georg Solti

With a career that includes a 35-year tenure as composer of the Berlin Philharmonic and record sales topping 200 million, Herbert von Karajan is one of the most legendary figures in 20th-century classical music. Comprised of archival footage, performance highlights and interviews with the likes of Anne-Sophie Mutter, Christa Ludwig and Seiji Ozawa, this retrospective chronicles the life and times of the iconic Austrian maestro.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

A collector's celebration of Solti's time in Chicago and includes bonus material of Solti rehearsing the Vienna Philharmonic. Included are works by Rossini, Mendelssohn, Bruckner, Wagner, Strauss, Kodaly, Bartok, Weiner, Berlioz.

Kiri Te Kanawa, Alexandru Agache, Michael Sylvesyer, and Roberto Scandiuzzi star in this Covent Garden production of the Verdi opera conducted by Sir Georg Solti. Verdi's tale of the eponymous medieval Doge of Genoa marries the political and the intimate to dramatic effect, both elements given their full due in this well-sung production led by Sir Georg Solti.

This film tells the story of one of the greatest and most controversial conductors of the 20th Century. The Hungarian-born Georg Solti had huge drive, energy and ambition. A combination of willpower and extraordinary talent took him to the peak of musical power and prestige. This film includes remarkably candid interviews which Solti talked with great honesty about his life, challenges and achievements. It also includes new interviews with some of the artists and musicians who worked closely with him.

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Daniel Barenboim, Sir Georg Solti, András Schiff and the English Chamber Orchestra play Mozart's Piano Concerto No. 9 in E-flat major, K271 "Jeunehomme" (two pianos) and Piano Concerto No. 17 in G major, K453 (three pianos).

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.

Mozart's famous Singspiel after Christoph Friedrich Bretzner's work "Belmonte und Konstanze", DIE ENTFÜHRUNG AUS DEM SERAIL comes to life in the sumptuous setting of Topkapi, the Ottoman sultans' own Istanbul seraglio (palace harem). Belmonte finds his fiancée Konstanze and her English maid Blondchen, who were captured and sold by pirates, in the Mediterranean seraglio of the Ottoman pasha Selim. Belmonte's servant Pedrillo gets him engaged as builder. After Selim tried to enforce himself upon Konstanze, Pedrillo and Blondchen, his own sweetheart, prepare their flight, managing to get Osmin, the pasha's overseer, drunk. Yet Osmin and Selim's guard still capture them, already in the garden; however the touching display of true love melts the pasha's heart, so he lets them go.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

Live performance, new production season 1984-5. BBC 2 Television relay on 30 March 1985 of performance of February 11.

Engelbert Humperdinck's beloved musical fairy tale HÄNSEL UND GRETEL is brought to life by Sir Georg Solti and an illustrious cast - all part of a shimmering production that continues to enchant audiences of all ages.

This performance, and the film that documents it, is superb! From its comically vulgar opening in the Garter Inn, where we are introduced to a rotund (and slightly pathetic) Falstaff - in a richly nuanced performance by baritone Gabriel Bacquier cocooned in prosthetic girth (his face is too thin for the enormity to be real) - to the supremely beautiful nocturnal magic of the Finale in Windsor Park, Solti is lovingly accompanied by the sublime Vienna Philharmonic. They play with such delicacy and elan what is an undeniably delicate score, that I lost myself in the instrumentation, forgot it was Verdi, thought it was Mozart, and couldn't remember which Mozartean Opera this was. The woodwinds and strings are singled out for special praise: perfect intonation and phrasing doesn't begin to do them justice. They breathe life into this score, propel it forward, act as a Chorus commenting on the action.

BBC television program exploring Visconti’s mastery of cinema, theater, and opera direction.

Watching the Vienna Philharmonic, Georg Solti, and a stellar cast record Wagner's immense Götterdämmerung for Decca in the fall of 1964 provides a thousand lessons in the art of working under pressure. For this classic documentary, The Golden Ring, a BBC camera crew eavesdropped as producer John Culshaw guided his engineering team through tricky technical maneuvers far removed from the relative ease of modern digital editing. What utter concentration and focus Birgit Nilsson, Wolfgang Windgassen, Gottlob Frick, and Dietrich Fischer-Dieskau bring to their collective and individual singing! Solti, for his part, oozes energy and exactitude as he pleads for greater precision and frets over details in the car en route to the sessions.

This superb performance of three of Beethoven's compositions features renowned pianist Murray Perahia and the London Symphony Orchestra, led by legendary guest conductor Sir Georg Solti. The concert, which was held as part of the fifth anniversary celebration of London's Barbican Centre, includes the Overture to "Coriolan," op. 62; Piano Concerto no. 1 in C Major, op. 15; and Symphony no. 7 in A Major, op. 92.