Art Direction
16 years after the fateful "revenge of the Forty-seven Ronin," involving samurais from the Ako domain who avenged their leader and then commited seppuku (ritual suicide), the sole survivor of that incident, Kichiemon Terasaka (Koichi Sato) traverses the country on a mission. His purpose is to find the families of the fallen samurais and spread the truth of the ronin uprising.
Art Direction
Japón, siglo XIX. El declive de la casta guerrera de los Samurai y de los Shogun ha hecho mella en el pequeño feudo de Unasaka, situado en la costa del noroeste del país. El samurai Yaichiro Hazama se marcha a la lejana ciudad de Edo para hacerse cargo de un puesto muy importante de la organización del clan, mientras sus amigos samuráis, Munezo y Samon, vuelven al lugar en el que Munezo nació y creció. A pesar de su modesto sueldo consiguen vivir una vida placentera en la casa de la madre de Munezo junto con la hermana pequeña de éste y la hija de un vecino que es granjero, llamada Kie, que trabaja en la casa como empleada doméstica y espera poder conseguir marido. Durante los tres años siguientes fallece la madre de Munezo, Samon se casa con la hermana de Munezo, y Kie se casa con el hijo de una familia acomodada de mercaderes, los Iseya.
Production Design
Japón, mediados del siglo XIX. Seibei Iguchi es un samurái de bajo rango que trabaja como burócrata. Viudo, vive con sus dos hijas, a las que adora, y con una madre ya senil, por lo que se ve obligado a hacer otros trabajos para poder sacarlas adelante. Una nueva oportunidad se presenta en su vida cuando se entera de que Tomoe, su amor de siempre, se ha divorciado de su cruel marido. Sin embargo, el rígido código de honor de los samuráis lo atará de pies y manos.
Art Direction
Producer
En un mundo donde las vendettas están oficialmente sancionadas, la gente a veces necesitaba ayuda para llevar a cabo su venganza. Sanada Hiroyuki interpreta a Sukeroku the Helper, un "yakuza genial y divagante" que ha hecho un negocio ayudando a las víctimas a llevar a cabo su venganza. Cuando regresa a su ciudad natal para visitar la tumba de su madre, se encuentra con un ronin mortal que guarda un secreto que eventualmente lo lleva a una venganza propia.
Art Direction
Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever
Production Design
Japón, siglo XIX. En el templo Nishi-Honganji, la milicia Shinsengumi está seleccionando nuevos reclutas para convertirlos en guerreros samurais. El comandante Isami Kondo y el teniente Toshizo Hijikata son los encargados de supervisar el proceso de adiestramiento que exige que cada aspirante se enfrenté a Soji Okita, el mejor hombre de la milicia.
Production Design
Japón, mediados del siglo XVI. El general Toyotomi Hideyoshi está consolidando el gobierno del pais. Oda Nobunaga arrasa el pueblo de Iga (conocido como “la tierra escondida”), temeroso de las conspiraciones y el poder que puedan tener los ninjas que viven allí. Sin embargo hay supervivientes…y pasarán 10 años antes de que comiencen su venganza.
Art Direction
Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.
Executive Producer
The third series of action series depicting the success of a woman torpedo who was caught in two groups of conflicts at a small port town in the Seto Inland Sea.
Art Direction
An entertainment drama depicting the conflict of yakuza, centering on the female torso and her sister's feud.
Art Direction
A criminal syndicate wants detective Onihei dead, but the resolute hero proves to be hard to kill.
Art Direction
Weaving two storylines together: the first is the story of 18th-century shogunate intrigue and loyalty, and the second is a ghost story about a beautiful woman who falls victim to passion and evil.
Art Direction
The indolent son of an oil vendor becomes a regular customer of a prostitute, racks up a mountain of debt, and is disowned by his parents.
Art Direction
Furuta Oribe is ordered to become tea master under Toyotomi Hideyoshi after his teacher Sen no Rikyū, the former tea master, was ordered to commit suicide. Princess Goh, daughter of the lord but adopted by Hideyoshi, is outraged when Rikyū's severed head is thrown in the Nijo River. She sends Usu, Oribe's servant, to retrieve the head and deliver it to Rikyū's adopted daughter.
Production Design
Rin Jyoshima lost her father to death-by-gambling; years later, she's grown up in the Kosugi household and has fallen victim to gambling herself.
Producer
Rin Jyoshima lost her father to death-by-gambling; years later, she's grown up in the Kosugi household and has fallen victim to gambling herself.
Art Direction
Después de ser secuestrada por tres jóvenes, una anciana multimillonaria consigue dominar la situación con gran habilidad e inteligencia, manipulando a su antojo a sus captores y logrando dividirlos y enfrentarlos.
Art Direction
Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.
Producer
Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.
Art Direction
Based on Edogawa Ranpo Award winner "Hanazono no Meikyu" by Yoko Yamazaki. A serial killing occurs at a port town brothel.
Art Direction
The Man Who Assassinated Ryoma is a movie about a haunted blood-thirsty Bakufu officer who might have killed Ryoma Sakamoto.
Art Direction
Basada en un hecho real. Hachiko es un perro de raza akita que es adquirido por el profesor Ueno, docente en la Facultad de Ingeniería Agrónoma de la Universidad de Tokio. Todas las mañanas, Hachiko acompaña a su amo hasta la estación de Shibuya, donde éste coge el tren para ir a su trabajo. Por las tardes, Hachiko regresa a Shibuya y espera a su amo a la puerta de la estación. Un día el profesor Ueno sufre un ataque cardíaco en el aula y fallece en el acto, y Hachiko acude día tras día a la estación para esperar a un amo que ya nunca más volverá.
Art Direction
While her husband is in prison doing time, Tamaki, the wife of a yakuza capo, runs her spouse’s gang with an iron hand. Meanwhile, Makoto, her younger sister, marries a member of a rival band after being raped by him. The two sisters, united by blood ties but married to enemy yakuzas, will ultimately have to decide whose side they’re on.
Art Direction
Remake of classic samurai film of 1932
Producer
Remake of classic samurai film of 1932
Producer
Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninja working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandoned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.
Production Design
Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninja working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandoned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.
Art Direction
When a fugitive begins a romance with the woman hiding him from the law, it becomes uncertain whether he will ever escape the shadow of his heinous crimes--or the detectives hot on his trail.
Producer
When a fugitive begins a romance with the woman hiding him from the law, it becomes uncertain whether he will ever escape the shadow of his heinous crimes--or the detectives hot on his trail.
Art Direction
Drama about the difficult relationship between a former wrestler, his wife and their adopted children.
Art Direction
Set in the icy wilderness of Hokkaido during the early days of the Meiji era, where the brutal warden of Kabato Prison terrorizes convicts sentenced to forced labor to build the roads needed to open up the territory.
Art Direction
Art Direction
Onimasa is the egocentric boss of a small yakuza clan on Shikoku Island, whose criminal duties conflict with his self-image as a chivalrous samurai. His struggles with his boss, the Shikoku Godfather, and the tumultuous life of his adopted daughter, Matsue, form the backdrop of this epic tale of justice, obedience, and bloody vengeance.
Art Direction
Un ex samurai abandona su épico modo de vida para convertirse en líder de una pandilla de ladrones.
Producer
A cowardly samurai is sent as an official executioner targeting the clan's former sword instructor, a man whose sword and spear skills are second to none.
Art Direction
A cowardly samurai is sent as an official executioner targeting the clan's former sword instructor, a man whose sword and spear skills are second to none.
Executive Producer
The story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much.
Art Direction
The story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much.
Art Direction
When a woman and her bridegroom are found dead in a double suicide the day after their wedding, it is up to the detective (Akira Nakao) to figure out what could possibly have motivated them. Carefully and systematically, he pieces together the inner lives of the two.
Executive Producer
When a woman and her bridegroom are found dead in a double suicide the day after their wedding, it is up to the detective (Akira Nakao) to figure out what could possibly have motivated them. Carefully and systematically, he pieces together the inner lives of the two.
Art Direction
Nakadai is an English teacher at a local school. He’s put-upon like the patron figure of dozens of films and televisions shows. Viewers who are especially fans of Nakadai will appreciate how the actor comically rants about here. His home life is almost disastrous, with a ditzy (but attractive) wife, three young children, a loud school nearby that’s controlled by a corrupt businessman he loathes, and frequent visits from layabout friends. And the grey-furred, green-eyed cat!
Art Direction
Follows the fluctuating fortunes of three ronin in feudal Japan who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. Though they use the servants' entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
Production Design
Tercera entrega de la serie de adaptaciones al cine de imágen real del famoso manga escrito por Kazuo Koike y dibujado por Goseki Kojima. Narra las aventuras de un Samurai que trabaja con su hijo siempre acompañándole en sus viajes. Ogami Itto acepta ser torturado por la Yakuza para salvar la vida de una prostituta, y estos alquilan sus servicios. Su objetivo es el malvado chamberlán.
Art Direction
A detective is charged with investigating a bank corruption scandal.
Art Direction
Shocking scenes are revealed in the Nagasaki Women's prison.
Art Direction
Vigésimo segunda de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Un luchador manco chino llamado Wang Kong se encuentra con otra familia también china. Debido a que el hijo de la familia entorpece sin querer una procesión de ofrenda al shogunato, se inicia una reyerta en la que mueren el padre y la madre del niño. Zatoichi más tarde se encuentra al niño, y se queda con él momentáneamente hasta que después, se va con Wang Kong. Zatoichi decide ayudarlos a escapar, pero las cosas no salen como habían previsto.
Production Design
Vigésimo segunda de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Un luchador manco chino llamado Wang Kong se encuentra con otra familia también china. Debido a que el hijo de la familia entorpece sin querer una procesión de ofrenda al shogunato, se inicia una reyerta en la que mueren el padre y la madre del niño. Zatoichi más tarde se encuentra al niño, y se queda con él momentáneamente hasta que después, se va con Wang Kong. Zatoichi decide ayudarlos a escapar, pero las cosas no salen como habían previsto.
Art Direction
Vigésimo primera de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Zatoichi se enamora de una mujer de una familia que pertenece a un clan yakuza cuyo cabecilla es Dark Lord Yamikubo, un hombre ciego malvado que no dudará en llevar a cabo sus propósitos a cualquier precio. Por otro lado, el antiguo marido de la mujer que ama Zatoichi, un ronin muy celoso interpretado por Tatsuya Nakadai, decide acabar con Zatoichi ya que no soporta pensar en que ambos dos puedan llegar a estar juntos.
Production Design
Vigésimo primera de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. Zatoichi se enamora de una mujer de una familia que pertenece a un clan yakuza cuyo cabecilla es Dark Lord Yamikubo, un hombre ciego malvado que no dudará en llevar a cabo sus propósitos a cualquier precio. Por otro lado, el antiguo marido de la mujer que ama Zatoichi, un ronin muy celoso interpretado por Tatsuya Nakadai, decide acabar con Zatoichi ya que no soporta pensar en que ambos dos puedan llegar a estar juntos.
Art Direction
Wicked woman Ogin is a concubine of a powerful feudal lord Tayu. At first Ogin gains power by poisoning lawful wife of Tayu. To gain more power Ogin let her lover Isogai Iori, kill whoever interrupts her. Film it is based on Jun'ichirō Tanizaki's novel "Kyofu Jidai".
Art Direction
Zatoichi regresa a una aldea que había visitado tres años antes y que le trae buenos recuerdos. Sin embargo, desde hace dos años, la región sufre una hambruna que atrajo al pueblo a varios grupos de bandoleros, ya que era de los pocos lugares que todavía tenían provisiones. Para acabar con los bandoleros, se contrató a un clan yakuza. Por otro lado, al mercenario Yojimbo le ofrecen una gran recompensa por la cabeza de Zatoichi.
Art Direction
Lord Oda Nobunaga gains control of nearly all of Japan and tries to enlist the aid of Magoichi and his 3.000 gunners.
Art Direction
Un ronin busca desesperadamente una salida a los problemas financieros; se alía con el clan Tosa bajo el despiadado líder Takechi, quien rápidamente se aprovecha.
Production Design
On the night of the summer Obon festival, Hagiwara Shinzaburo meets a beautiful courtesan named Otsuyu. Not knowing she's a ghost, he becomes infatuated by her.
Art Direction
A fines del período Edo, el doctor Seishu Hanaoka (1760-1835) se transforma en el primer médico en realizar una operación mediante el uso de anestesia general. La esposa y la madre del médico se convierten en rivales en la búsqueda de su afecto a punto tal de servir como conejillos de indias en sus experimentos.
Art Direction
When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.
Art Direction
Zatoichi comes upon the town of Tonda, overrun by gangsters. Using one of his favorite techniques, Zatoichi proceeds to win 8 ryo in a rigged gambling game. Of course, the local gangsters attempt to kill him, and the adventure begins. It turns out a blacksmith named Senzo examines Zatoichi's cane sword, and discovers it to be forged by his old mentor. Senzo discovers the sword is at the end of its usefulness and will break when it is used next.
Art Direction
Un malvado guerrero invade un pueblo durante una fiesta. El guerrero quema las casas y asesina sin piedad a civiles indefensos. También roba todo lo que puede y sus hombres destruyen la estatua de su dios, que está en medio del pueblo y lanzan sus restos al lago. Todo parece perdido, pero de repente una extraña fuerza surge del lago, matando a los soldados...
Production Design
Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.
Art Direction
A naively honorable samurai (played by Raizo) comes to the bitter realization that his devotion to moral samurai principles makes him an oddity among his peers, and a very vulnerable oddity in consequence. He takes the blame for the misdeeds of others, with the understanding that he will be exiled for one year and restored to the clan's good graces after the political situation dies down. As betrayal begins to heap upon betrayal, he realizes he'll have to live out his life as a master-less ronin, if not hunted down and killed.
Production Design
Zatoichi comes upon a dying man who asks him to give a bag of money to "Taichi". Zatoichi has no idea who this is but when he comes upon a small town harassed by gangsters, he finds that "Taichi" was the man's young son. Along his travels he also met a blind monk who makes Zatoichi question his murderous lifestyle. In trying to help the town, Zatoichi kills some gangsters and becomes a hero to the boy. He must make a choice of whether to use non-violence and set a good example, or violence and set the boy on the wrong path in life.
Art Direction
In the book of the world's greatest rogues, the number one man can only be one person.
Art Direction
En desacuerdo con sus padres, Otsuya huye de su hogar para refugiarse en los brazos de Gonji, quien termina vendiéndola en una casa de geishas. Allí, un maestro del tatuaje dibuja sobre su hermoso cuerpo una inmensa araña. Como si el espíritu del insecto tomara posesión de la joven, el deseo irreprimible de venganza se transforma en el centro de su vida. Como la viuda negra tatuada en su espalda, Otsuya arruina la vida de todo hombre que se cruce en su camino.
Art Direction
Décima de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta décima entrega, Zatoichi se entera del asesinato de un antiguo maestro suyo, Hikonoichi. Para ello intentará hablar con la hija de este que presenció la muerte de Hikonoichi. Sin embargo, ella se encuentra recluida en un burdel, por lo que Zatoichi deberá de llegar hasta ella para esclarecer lo sucedido y ajustar cuentas con los culpables.
Art Direction
Ronin samurai Ibuki-san enters a town and sells his skills to the warring families. He falls in love with the beautiful horse stable owner but like all heroes, cannot stay.
Art Direction
Séptima de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta séptima entrega, Zatoichi es herido por un disparo en la espalda. La casualidad hace que la hermana de quién le disparó le atienda para curarle sus heridas. Nuevamente Zatoichi se verá envuelto en otra disputa entre bandas.
Art Direction
A decapitation at the hands of the shogun's monstrous misbegotten son kicks off the action and draws nomadic Nemuri Kyoshiro (Raizô Ichikawa) into more sword-fighting adventures when he's blamed for the beheading. Meanwhile, the head-chopper's mother is busy knocking off the shogun's lawful heirs to secure the shogunate for her son.
Production Design
First movie of the Inu series directed by Tokuzō Tanaka
Art Direction
Sexta de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta sexta entrega, un cofre con 1000 ryus en su interior perteneciente a unos aldeanos es robado. Zatoichi es acusado del robo ya que fue visto muy cerca del lugar de los hechos. Para limpiar su nombre, Zatoichi decide ayudar a los aldeanos a descubrir quién es el culpable del atraco e intenta recuperar el botín por todos los medios.
Art Direction
Quinta de las veintiséis películas basadas en el personaje de Zatoichi interpretado por Shintarô Katsu. En esta quinta entrega, un viejo a punto de morir le pide a Zatoichi que acompañe a una joven hasta Edo. Zatoichi decide concederle ese último deseo y emprende el camino. Pero el viaje no resultará ni mucho menos tranquilo...
Art Direction
Un joven artesano de bambú se casa con una prostituta, pero es incapaz de consumar el matrimonio porque la imagen de su difunto padre, que la había visitado durante los últimos cinco años, se interpone entre ellos.
Art Direction
The shogun's vassal Harima Aoyama and a chamber maid are in love with each other, but they cannot be together due to a difference of their status. Soon, an offer of marriage is brought to Harima. Trying to test his love, Okiku breaks one of the plates of the family treasure of the Aoyama family, but Harima doesn't notice. However, someone surrounding her witnesses the moment Okiku breaks the plate on purpose.
Art Direction
In the mountain regions of Hida, the dreams of a peasant named Kyonosuke, who longed to be a samurai, come true when he becomes one of three doubles, of shadows, of Lord Yasutaka. After months of intense and cruel training, he faces his destiny when the Lord and the other two shadows are killed in battle and he must take on the role of Lord Yasutaka....
Production Design
Mientras representa una obra de kabuki haciendo un tour con su compañía teatral, un actor descubre a los tres hombres que empujaron al suicidio a sus padres veinte años atrás. Planeará una tranquila venganza. (FILMAFFINITY)
Art Direction
Art Direction
Art Direction
Ushimatsu's father told him never to reveal his lower-caste heritage; years later, he now contemplates confiding in an activist fighting against such discrimination.
Art Direction
Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.
Art Designer
Art Direction
Hikaru Genji, the haunted romantic hero of Lady Murasaki Shikibu’s “Genji Monogatari” (Tale of Genji) comes to life in this new tale of his further romantic adventures. Young Genji, the emperor’s illegitimate son cuts a swath through the women of the imperial court, while still mourning the spirit of his late mother who died while he was still a child. Driven to an obsession with the emperor’s new concubine, Lady Fujitsubo, whose resemblance to his late mother originally caught the eye of the emperor, young Genji embarks upon a reckless affair with her that could cost him his life.
Art Direction
Podríamos quejarnos de que Kenji Misumi repite desarrollo en la segunda y la tercera parte de “Satan´s Sword”. Sin embargo es una cuestión solo apreciable desde el punto de vista de aquel que lee la sinopsis. En lo que respecta a la película, cada una de ellas se ve respaldada por elementos secundarios que la diferencian completamente de las otras.
Precisamente es el hecho de repetición argumental centrada en la persecución de Hyoma buscando venganza, lo que hace que se debilite ese deseo. Él mismo comienza a tomárselo como una costumbre, llegando a olvidar incluso por qué lo hace. Su lucha interna solo se decidirá al llegar el final del film.
Art Direction
Fascinated with women from an early age, Yonosuke had his first sexual encounter at the age of seven. From that day on, he recklessly and forwardly pursues women, feeding his fascination and experience. As Yonosuke's salacious behavior brings much cause for shame to the family, his father eventually breaks relations with him. Expelled from the family, 19-year-old Yonosuke embarks on a pilgrimage of lust, traveling far and wide to acquaint himself with women of all walks.
Art Direction
Art Direction
Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.
Art Direction
Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...
Art Direction
Art Direction
Art Direction
Adaptación de la novela de Yukio Mishima "El pabellón de oro", a través de diálogos y flashbacks controlados se cuenta la historia de un novicio budista que llegará a destruir lo que más ama: el pabellón.
Art Direction
Art Direction
Art Direction
From the pen of Yoshikawa Eiji comes this exciting story. The Naruto Strait separates Tokushima from the islands of Awaji and Honshu. On Tokushima the mad lord dreams of conquest and forges a bloody revolt against the Tokugawa shogunate. A mysterious swordsman named Noriyuki Gennojo has crossed Naruto’s waters to uncover the Awa clan’s secrets. He puts his life on the line after finding a testament of Awa’s secrets, written in blood by a dying man. Joining Noriyuki are a female ninja who loves him, and the beautiful daughter of an enemy who’s sworn to kill him. Awa’s defenders willl stop at nothing to prevent the blood-soaked letter from reaching the shogun.
Art Direction
Art Direction
During the bloody era of the Tokugawa Shogunate collapse, a man appeared capable of overthrowing a corrupt government and ending the feud between the Choshu and Satsuma clans. This is the story of Tsukigat Khanpayit, the sword maker of the Choshu clan, who, along with Katsuro Kogoro and Sakamoto Ryoma, sought to fulfill the dream of a new peaceful era in Japan. Can he realize his ideals or will he die in the chaos of internecine fights...
Art Direction
Art Direction
Early film by Kenji Misumi.
Art Direction
Production Design
Art Direction
Art Direction
Art Direction
Art Direction
An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.
Production Design
An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.
