Funny Cow es una cómica que utiliza su propia vida para hacer reír a los espectadores: desde su violenta infancia hasta sus no menos violentas relaciones adultas. Nominada en 2018 a los Premios del Cine Independiente Británico en las categorías de mejor actriz y música, Funny Cow une tragedia y comedia con un humor negro y duro.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
That Musical We Made is an honest and funny look at the making of a musical. Victoria Wood takes us behind the scenes of That Day We Sang, the film she wrote and directed, and also looks at the real events which inspired her story. She goes back to Manchester to find out about the original choir of the 1920s, and the children who sang on the record of Nymphs and Shepherds. And in between unpeeling the history and sharing the fun of the shoot, she tries to work out how a piece of writing can evolve. Victoria unpicks the process in an attempt to understand how what started as a straightforward account of a day in the life of a children's choir in 1929 ended up as a middle-aged love story about the power of music to reconnect lonely people and give them a second chance to fall in love.
A promotional film for Dexys Midnight Runners' 1985 single in which Kevin Rowland attempts to explain the indefinable qualities of woman to bandmate Billy Adams. This dialogue is intercut with scenes of Rowland singing and dancing through a desolate Wall Street and footage of the extended group performing in-studio. Directed by Jack Hazan (David Hockney: A Bigger Splash, Rude Boy).
Un registro visual de la vida punk de Londres a finales de los 70, lleno de imágenes de conciertos en vivo nunca antes vistas y comentarios de The Clash, The Jam, X-Ray Spex y The Electric Chairs.
