Producer
NOT CAROL examines the scourge of postpartum psychosis through the tragic prism of the Carol Coronado murder case. In a judicial system riddled with archaic laws and chronic misunderstanding, Carol's story shines a light on a public health epidemic that is enormous in scale and no one is talking about.
Director
NOT CAROL examines the scourge of postpartum psychosis through the tragic prism of the Carol Coronado murder case. In a judicial system riddled with archaic laws and chronic misunderstanding, Carol's story shines a light on a public health epidemic that is enormous in scale and no one is talking about.
Director
JOHNNY STRANGE: BORN TO FLY tells the extraordinary story of a 23 year old American adventurer, through candid interviews with his family, friends and Johnny himself, along with 100's of hours from Johnny's private video archive. The film asks the question what does it truly mean to be alive, and to what extent a young man's passion to seek the ultimate thrill was actually the most lethal form of addiction.
Producer
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Writer
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Director
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Director
Bienvenido al mágico mundo de La Nouba. Aquí, todo es posible: los sueños se hacen realidad y el talento convierte lo ordinario en algo extraordinario. Rodado en directo en alta definición en su sede permanente de Walt Disney World Resort en Orlando, La Nouba es un sueño hecho realidad del Cirque du Soleil. Dentro de este vivificante espectáculo encontrarás payasos, bailarinas, trapecistas y mucho más.Desde el increíble número en bicicleta BMX a nuestra precisión y equilibrio en la cuerda floja, los artistas del Cirque du Soleil siguen dejando boquiabiertos a los espectadores de todas las edades. Déjate llevar por la magia y el espíritu festivo de La Nouba.
Director
George H.W. Bush only lost his re-election bid in 1992 because a peculiar independent candidate from Texas, Ross Perot, drew more voters away from Bush than from Democratic candidate Bill Clinton. It’s one of the most enduring myths in U.S. presidential election history. Perot ran a quirky “outsider” campaign that in many ways presaged the Donald Trump phenomenon of 2016. It all amounted to one of the most successful third-party bids in U.S. history; Perot won 19 percent of the popular vote. But, no, Perot did not cost Bush the election, as “The Perot Myth” — a film from FiveThirtyEight and ESPN Films, directed by John Watkin and Eamon Harrington — makes clear.
Executive Producer
George H.W. Bush only lost his re-election bid in 1992 because a peculiar independent candidate from Texas, Ross Perot, drew more voters away from Bush than from Democratic candidate Bill Clinton. It’s one of the most enduring myths in U.S. presidential election history. Perot ran a quirky “outsider” campaign that in many ways presaged the Donald Trump phenomenon of 2016. It all amounted to one of the most successful third-party bids in U.S. history; Perot won 19 percent of the popular vote. But, no, Perot did not cost Bush the election, as “The Perot Myth” — a film from FiveThirtyEight and ESPN Films, directed by John Watkin and Eamon Harrington — makes clear.
