John Klemantaski

Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay's wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.

Prince of Swine is a sex comedy about feminism.

En un futuro cercano, todo ha cambiado. Los derechos humanos básicos se han convertido en el lujo más raro. Nadie sabe cuándo comenzó esto, pero todos saben cómo. El VXII, el virus más letal jamás creado, se propagó como un reguero de pólvora y diezmó a la mayoría de la población mundial. Los sobrevivientes no infectados ahora se aferran a la vida en cuatro ciudades en cuarentena detrás de un muro.

As our world suffers the ravages of humankind, scientists look for ways to sustain life. When one of them falls ill and a chrysalis forms around him, a tug of war ensues about the future of the stricken scientist.

Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.

When Julius (Marty Sader) loses his girlfriend, his job and the life of his pseudo father, Jack, his itch for a "quick fix" suffocates his ambitions and takes him on a trip through the disturbing addiction of crystal meth. Julius confides in Erica (Laura Keys), who lures him into her erratic lifestyle, and their crazy romance brings him terrifying hallucinations and isolation as he learns that hedonism will not eliminate his pain.

Tras la muerte en extrañas circunstancias de un profesor de la Universidad de Miskatonik, se inicia una investigación que relaciona el caso con el tenebroso culto a un Dios acuático, cuyos seguidores le llaman Cthulhu... The Call of Cthulhu (La llamada de Cthulhu) es una película muda de 2005 que adapta el famoso relato homónimo de Lovecraft, escrito en 1926. Su rodaje fue impulsado y producido desde la Sociedad Histórica H.P. Lovecraft de Estados Unidos. El rodaje usó modernas técnicas de grabación y elementos vintage para reproducir la estética de los filmes de la década de 1920. Debido a que el film quería aparentar haber sido rodado realmente en esa época, se optó por que la película fuese muda. La música que acompaña las imágenes también está inspirada en los sonidos clásicos que ambientaban estas producciones.

1819. A shipwreck-survivor, the Navigator, encounters an Old Knight who recounts his tale: Long ago, the Knight fell in love with a mysterious Lady. But in a dream he saw her true form and begged his release. Awoken and alone, he realized his failure. Thus he has waited, kept alive for centuries by his regret. Based on the John Keats poem of the same name.