Pál Utrius is twenty three years old and in love with his sister.
This is a rough, fragmented drama about a couple whose 13-year-old son committed suicide without an apparent reason. The film portrays the day after the funeral and the helpless, abandoned mourning of the parents.
Józsi drives a taxi all day long. He often telephones Éva, who, on the other hand, stays home all day long, having nothing else to do but to be beautiful and wait for Józsi.
The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.
In 1947 Dorottya is dismissed from girl school by the nuns for her views.
