Hotel Receptionist
Praga, 1900. Milan es un hombre soltero, conquistador. Toca el piano y canta aceptablemente. Mantiene una agradable amistad con Franz, director del Balneario de Karlovy Vary, donde Milan pasa temporadas descansando. Franz está casado con una bella mujer llamada Teresa. Milan asedia la fortaleza de Teresa. Diez años después, Milan y Franz se encuentran de nuevo y los recuerdos se apoderan de ellos. Milan se conmociona al enterarse de que Teresa ha muerto. Tuvieron una niña a la que Milan ama desde ese momento como una hija, pero la niña padece una grave enfermedad. (FILMAFFINITY)
Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.
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The dreaded Italian mafioso, Marian Labuda, will also be convinced. Mafioso Carmello was guilty of the principles of his organization when he tried to fool the boss and earned a death sentence. The convict runs away from the killer through Vienna to Prague, which his Austrian colleague in crime recommended as a safe hiding place. None of them knows that the Czechs learned so much tricks under real socialism that a seasoned Italian professional is not enough to watch.
A picture of generational confrontations between children and parents. A young and ambitious violin virtuoso, Peter, lives in long-lasting conflicts with his father. Only after his death Peter realizes how much he had been hurting his father. Still, not even the tragedy can make a change in his shallow life in stereotype.
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