Pierre Grimblat

Apenas cumplidos los cuarenta años, Joachim, un exitoso productor de televisión parisino, lo deja todo (hijos, amigos, enemigos, amores y remordimientos) para comenzar una nueva vida en América. Algún tiempo después, regresa con el grupo de bailarinas de striptease New Burlesque, cuyas mentes ha llenado de fantasías románticas sobre Francia. De ciudad en ciudad, el humor de los números y el atractivo de las chicas conquistan tanto a hombres como a mujeres. Y a pesar de que la falta de dinero las obliga a alojarse en fríos e impersonales hoteles, las coristas inventan un mundo extravagante de fantasía, calidez y fiestas. Sin embargo, el sueño de concluir la gira a lo grande en París se rompe en mil pedazos: la traición de un viejo amigo hace que Joachim no consiga la sala de espectáculos que había apalabrado. En cualquier caso, el breve viaje de ida y vuelta a la capital, reabrirá violentamente las heridas del pasado... (FILMAFFINITY)

Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.

Benjamin lives with his widowed father, a designer and a bohemian artist. Olivia, his best friend, lives with his divorced mother, a lawyer who lives only for his work. Children decide to organize a meeting between the two parents, but unfortunately, neither seems interested in the other. Still, the two friends did not give up and seek new ways for the emergence of love between their parents.

El director Gaspard Bazin está preparando un nuevo largometraje y organiza castings para elegir a los figurantes. Por ahora se encuentra en proceso de financiación. Hizo un llamamiento a Jean Almereyda, un antiguo productor de moda venido a menos al que le cuesta cada vez más conseguir financiación para arrancar sus proyectos. Por su parte su esposa, Eurídice, sueña con ser una estrella de cine. Mientras Almereyda arriesga su vida para financiar la película, Gaspard elige a Eurydice como protagonista... Adaptación de la novela policíaca "The Soft Centre" de James Hadley Chase.

The three ex-wives of a real estate developer join forces to get revenge on him.

Úrsula, una joven niñera alemana, empieza a trabajar para una encantadora y apacible familia que vive en una ciudad costera. Al instante, se enamora de Jean Claude, el hijo mayor, un muchacho acomplejado porque tiene una mancha en la cara. Poco tiempo después de su llegada, los hijos de la familia empiezan a morir accidentalmente.

Úrsula, una joven niñera alemana, empieza a trabajar para una encantadora y apacible familia que vive en una ciudad costera. Al instante, se enamora de Jean Claude, el hijo mayor, un muchacho acomplejado porque tiene una mancha en la cara. Poco tiempo después de su llegada, los hijos de la familia empiezan a morir accidentalmente.

Commercial director Serge Faberge is having an affair with Evelyne, the 18 year old fiancee of friend Hugh. His own pregnant wife Francoise usually does not mind his dalliances, until he actually walks out on her and their newborn baby to move in with Evelyne. The shoe is on the other foot when dashing stuntman Dado catches Evelyne's eye in Venice.

Commercial director Serge Faberge is having an affair with Evelyne, the 18 year old fiancee of friend Hugh. His own pregnant wife Francoise usually does not mind his dalliances, until he actually walks out on her and their newborn baby to move in with Evelyne. The shoe is on the other foot when dashing stuntman Dado catches Evelyne's eye in Venice.

Annie is a middle-age wife, still sexy and pampered by her husband, Phillippe, who is the owner and general manager of a dynamic company. Under the deluge of sexy Swedish movies, sexy advertising on the streets, sexy intimate clothing in ladies' shops, and even talks about sex and marital infidelity with her mother and female friends, Annie starts feeling left aside by her husband, and trying to attract in a number of ways - and failing. It's not the all-purpose secretary at the office that is keeping him late, it's a tax expert that, asking the most innocent questions, is finding out how Philippe can manage a company without profits, and still manage a home, may be two... with high quality levels.

Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.

Seeing an opportunity to make a financial recovery for the family, a nobleman attempts to wed his son to his wealthy friend's daughter. His plan is to send the boy for a cruise on the SS France with the prospective female. Upon arriving to meet the lovely girl, the young man switches places with his valet. Unbeknownst to him, however, is the fact that the girl has pulled a similar deception. Though Jean-Marc Ripert is responsible for much of the cinematography in this New Wave comedy, it is Francois Reichenbach who handled the camera for many of the ocean-liner scenes.

Usually cast as secret agent/private eye Lemmy Caution, Eddie Constantine plays "Eddie" in The Empire of Night. This time, Constantine is a cabaret singer at odds with a criminal gang. When the villains try to take over every nightclub in town for their own nefarious purposes, Eddie sings a new tune with his fists. The story takes several unexpected turns, but Constantine remains in charge throughout.

Usually cast as secret agent/private eye Lemmy Caution, Eddie Constantine plays "Eddie" in The Empire of Night. This time, Constantine is a cabaret singer at odds with a criminal gang. When the villains try to take over every nightclub in town for their own nefarious purposes, Eddie sings a new tune with his fists. The story takes several unexpected turns, but Constantine remains in charge throughout.

Eddie Constantine stars as a reporter mixed up in the spy world in this routine espionage actioner by first-time director Pierre Grasset. After taking some illicit photos for a new story he is working on, Eddie (Constantine) is coerced into doing a job for the French Secret Service. There is a mole in the French missile sites who is passing on classified information, and Eddie is enlisted as bait to draw the culprit -- or culprits -- out. Along the way, he finds himself running for his life, fighting, and romancing until the final denouement.

Eddie Constantine stars as a reporter mixed up in the spy world in this routine espionage actioner by first-time director Pierre Grasset. After taking some illicit photos for a new story he is working on, Eddie (Constantine) is coerced into doing a job for the French Secret Service. There is a mole in the French missile sites who is passing on classified information, and Eddie is enlisted as bait to draw the culprit -- or culprits -- out. Along the way, he finds himself running for his life, fighting, and romancing until the final denouement.