Es 2067, el Reino Unido es vegano, pero las generaciones mayores están sufriendo la culpa de su pasado carnívoro. Simon Amstell nos pide perdonarlos por los horrores de lo que tragaron.
Jean Valjean es enviado a prisión tras robar un trozo de pan con el que pretendía alimentar a sus sobrinos y a su hermana viuda. Adaptación del musical del mismo título que, a su vez, se basa en la obra de Victor Hugo "Los miserables"..
Harry Potter es un huérfano que vive con sus desagradables tíos, los Dursley, y su repelente primo Dudley. Se acerca su undécimo cumpleaños y tiene pocas esperanzas de recibir algún regalo, ya que nunca nadie se acuerda de él. Sin embargo, pocos días antes de su cumpleaños, una serie de misteriosas cartas dirigidas a él y escritas con una estridente tinta verde rompen la monotonía de su vida: Harry es un mago y sus padres también lo eran.
Jess Andrews, a promising athlete with autism, was destined to be the star of a Shropshire feature film that never got finished - But the world has moved on and now an ordinary carehome receptionist called Izzy Orchard has taken her place as the face of a brand new drama series. This Comic Relief, two worlds collide as old encounters new and the Autistic Athlete with unfinished business returns to face ordinary, simple, old Izzy. Will they be able to put their differences aside to see not just each others' worth - but their own? This is Izzy Vs. Jess.
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
