Andrey Bogatyrev

30 de diciembre de 1941. Vyazma ('Caldero de Vyazemsky') es un pequeño destacamento de soldados soviéticos, por fatal coincidencia, en una desigual batalla con una unidad especial de la Wehrmacht. Sin embargo, ninguno de ellos piensa en rendirse. Cada uno de ellos estaba dispuesto a sacrificar su vida para proteger su tierra natal. Ninguno de estos valientes nació héroe. El mito del fantasma rojo es un acto heroico sin un soldado soviético en la Gran Guerra Patria que inculcó en los animales un miedo mortal a los soldados alemanes. En lugar de uno de los héroes muertos se insertó otro, y nació el mito del invencible soldado soviético. La película 'El fantasma rojo' trata sobre la esperanza que tendrá cada soldado.

30 de diciembre de 1941. Vyazma ('Caldero de Vyazemsky') es un pequeño destacamento de soldados soviéticos, por fatal coincidencia, en una desigual batalla con una unidad especial de la Wehrmacht. Sin embargo, ninguno de ellos piensa en rendirse. Cada uno de ellos estaba dispuesto a sacrificar su vida para proteger su tierra natal. Ninguno de estos valientes nació héroe. El mito del fantasma rojo es un acto heroico sin un soldado soviético en la Gran Guerra Patria que inculcó en los animales un miedo mortal a los soldados alemanes. En lugar de uno de los héroes muertos se insertó otro, y nació el mito del invencible soldado soviético. La película 'El fantasma rojo' trata sobre la esperanza que tendrá cada soldado.

30 de diciembre de 1941. Vyazma ('Caldero de Vyazemsky') es un pequeño destacamento de soldados soviéticos, por fatal coincidencia, en una desigual batalla con una unidad especial de la Wehrmacht. Sin embargo, ninguno de ellos piensa en rendirse. Cada uno de ellos estaba dispuesto a sacrificar su vida para proteger su tierra natal. Ninguno de estos valientes nació héroe. El mito del fantasma rojo es un acto heroico sin un soldado soviético en la Gran Guerra Patria que inculcó en los animales un miedo mortal a los soldados alemanes. En lugar de uno de los héroes muertos se insertó otro, y nació el mito del invencible soldado soviético. La película 'El fantasma rojo' trata sobre la esperanza que tendrá cada soldado.

Varlam decides to leave his home and life as a peasant in order to be with his beloved one. To get some money, he tries himself as a street fighter and is noticed by an Englishman and an avid gambler Parker. The latter gives him a chance to become a professional soccer player in 1909 Russia. Now, Varlam has to not just break all the boundaries but to save his true love.

When night falls on St. Petersburg, there comes a time when it seems that everything freezes. The past, the present and the future exist simultaneously. There are two on the bridge: He is a shy and lonely dreamer, who photographs the city all night long, feels sincere sympathy for strangers, and even houses. She is a delicate girl, in love, her face is light, but tear-stained. Four nights of revelations and romance, sadness and smiles, kisses and embraces. But one day the morning will come.

When night falls on St. Petersburg, there comes a time when it seems that everything freezes. The past, the present and the future exist simultaneously. There are two on the bridge: He is a shy and lonely dreamer, who photographs the city all night long, feels sincere sympathy for strangers, and even houses. She is a delicate girl, in love, her face is light, but tear-stained. Four nights of revelations and romance, sadness and smiles, kisses and embraces. But one day the morning will come.

When night falls on St. Petersburg, there comes a time when it seems that everything freezes. The past, the present and the future exist simultaneously. There are two on the bridge: He is a shy and lonely dreamer, who photographs the city all night long, feels sincere sympathy for strangers, and even houses. She is a delicate girl, in love, her face is light, but tear-stained. Four nights of revelations and romance, sadness and smiles, kisses and embraces. But one day the morning will come.

When night falls on St. Petersburg, there comes a time when it seems that everything freezes. The past, the present and the future exist simultaneously. There are two on the bridge: He is a shy and lonely dreamer, who photographs the city all night long, feels sincere sympathy for strangers, and even houses. She is a delicate girl, in love, her face is light, but tear-stained. Four nights of revelations and romance, sadness and smiles, kisses and embraces. But one day the morning will come.

Judas, a seasoned thief, finds himself in the market square where Christ is giving a sermon and his apostles are collecting alms. He follows them and steals their money, only to be caught red-handed. Nevertheless, the Teacher forgives him. What is more, He invites the thief to become one of His followers and offers him a position as the group’s treasurer. Shocked by Christ’s unexpected offer, Judas decides to join the apostles, if only to figure out what is going on. He gradually starts to comprehend Christ’s message, but feels that the apostles are blindly following their teacher. Judas argues with them, and tries to defend his right to divine the truth of God. But when he fails to make them understand, he realizes that Christ’s teachings may sink into oblivion without benefiting humanity. His solution is to betray Christ. “By killing a man, have I not saved a God?”

Judas, a seasoned thief, finds himself in the market square where Christ is giving a sermon and his apostles are collecting alms. He follows them and steals their money, only to be caught red-handed. Nevertheless, the Teacher forgives him. What is more, He invites the thief to become one of His followers and offers him a position as the group’s treasurer. Shocked by Christ’s unexpected offer, Judas decides to join the apostles, if only to figure out what is going on. He gradually starts to comprehend Christ’s message, but feels that the apostles are blindly following their teacher. Judas argues with them, and tries to defend his right to divine the truth of God. But when he fails to make them understand, he realizes that Christ’s teachings may sink into oblivion without benefiting humanity. His solution is to betray Christ. “By killing a man, have I not saved a God?”

Two characters who represent two generations... One is 68 with of plenty Soviet Union background, another 2is 3 and without any targets in his life. They don't know each other and they are both not good at the new Russian reality. Urban high contrast life passes by where rapid wave of advertising, glam and joy are on each corner: 'It's going to be best, man ... Win a million! ... You're the first!' But one human life depends on both heroes and solution is huge amount of money that will unite them in tragic circumstances.

Two characters who represent two generations... One is 68 with of plenty Soviet Union background, another 2is 3 and without any targets in his life. They don't know each other and they are both not good at the new Russian reality. Urban high contrast life passes by where rapid wave of advertising, glam and joy are on each corner: 'It's going to be best, man ... Win a million! ... You're the first!' But one human life depends on both heroes and solution is huge amount of money that will unite them in tragic circumstances.

Two characters who represent two generations... One is 68 with of plenty Soviet Union background, another 2is 3 and without any targets in his life. They don't know each other and they are both not good at the new Russian reality. Urban high contrast life passes by where rapid wave of advertising, glam and joy are on each corner: 'It's going to be best, man ... Win a million! ... You're the first!' But one human life depends on both heroes and solution is huge amount of money that will unite them in tragic circumstances.

Psychological melodrama based on the motives of Yury Nagibin’s story «Three men and one woman, and one more man». The beginning of the 20th century. The young couple Vladislav Eschenbach and Sofia Pshebyshevskaya arrive in Tiflis, where sun, wine, ancient architecture and new impressions await them. She is the eternal mistress; it is her trade, her way of life and thinking. He understood this well before their marriage, but he cannot come to terms with her way of life. They are overcome by vanity, by the desire for understanding, and even by despair. For each of them the views of the other are nonsense, but they still try to live together. The outcome of this story seems obvious. But it takes an unexpected turn: in the life of the strange couple there occurs a moment when each of them has to resolve the single most important question…

A former white officer, and now an employee of the NKVD, martial artist Viktor Spiridonov meets the disgraced Soviet intelligence agent Vasily Oshchepkov, who studied judo in Japan for a long time. They quickly find a common language, because both are obsessed with the idea of \u200b\u200bcreating a national art of self-defense. But the joint work soon turns into an irreconcilable confrontation. Intrigues, betrayal, emotions will predetermine the tragic fate of the two great creators of sambo.

A former white officer, and now an employee of the NKVD, martial artist Viktor Spiridonov meets the disgraced Soviet intelligence agent Vasily Oshchepkov, who studied judo in Japan for a long time. They quickly find a common language, because both are obsessed with the idea of \u200b\u200bcreating a national art of self-defense. But the joint work soon turns into an irreconcilable confrontation. Intrigues, betrayal, emotions will predetermine the tragic fate of the two great creators of sambo.