Eryk Rocha
Nacimiento : 1978-01-19, Brasilia, Brazil
Historia
Erik Aruak Gaítán Rocha is a Brazilian film director, producer, editor, and cinematographer. He is the son of film director Glauber Rocha. "He studied cinema at the San Antonio de Los Baños School in Cuba, where he produced Rocha que voa (2002)." It won best film in the É Tudo Verdade International Festival, the CineSul Festival, and the Saul Yelín Choir at the New Latin American Cinema Festival in Havana in 2002. The film also won the title of Best Masterpiece at the Rosário Festival in Argentina in 2003
Associate Producer
No synopsis
Producer
In a dreamlike Afro-Diasporic odyssey, landscapes and alleys meet at the crossroads of time.
Director
On the edge of the Transbrasiliana highway, Edna lives in a land in ruins, built on massacres.
Producer
A documentary about the creative process of Arrigo Barnabé
Producer
Paulo ha sido privado de ver a su hijo Mateus de siete años por no pagarle la pensión a su ex mujer. Para conseguir dinero rápido comienza a trabajar como taxista y con el paso de los días irá relacionándose fugazmente con sus pasajeros pero una de ellas, Karina, viajará para quedarse. Su vida se verá afectada tanto por la crisis social que atraviesa el país como por los cambios de su vida cotidiana.
Writer
Paulo ha sido privado de ver a su hijo Mateus de siete años por no pagarle la pensión a su ex mujer. Para conseguir dinero rápido comienza a trabajar como taxista y con el paso de los días irá relacionándose fugazmente con sus pasajeros pero una de ellas, Karina, viajará para quedarse. Su vida se verá afectada tanto por la crisis social que atraviesa el país como por los cambios de su vida cotidiana.
Director
Paulo ha sido privado de ver a su hijo Mateus de siete años por no pagarle la pensión a su ex mujer. Para conseguir dinero rápido comienza a trabajar como taxista y con el paso de los días irá relacionándose fugazmente con sus pasajeros pero una de ellas, Karina, viajará para quedarse. Su vida se verá afectada tanto por la crisis social que atraviesa el país como por los cambios de su vida cotidiana.
Producer
A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.
Executive Producer
Music about becoming women in the contemporary world, their emancipation and struggles
Writer
Una profunda investigación, a modo de ensayo poético, sobre uno de los principales movimientos cinematográficos latinoamericanos, analizado a través del pensamiento de sus principales autores, que inventaron, a principios de los años sesenta, una nueva forma de hacer cine en Brasil, con una actitud política, siempre cercana a los problemas de la gente, que combinaba arte y revolución.
Director
Una profunda investigación, a modo de ensayo poético, sobre uno de los principales movimientos cinematográficos latinoamericanos, analizado a través del pensamiento de sus principales autores, que inventaron, a principios de los años sesenta, una nueva forma de hacer cine en Brasil, con una actitud política, siempre cercana a los problemas de la gente, que combinaba arte y revolución.
Writer
In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.
Director
In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.
Producer
She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.
Reviewing home videos, filmmaker Paula Gaitán constructs a curious narrative about her youth while talking to her children. A filmic note in the form of an essay based on material made in Super 8. "Of which there are no limits, and full of affection and imagination", says the author.
Writer
The life and work of singer, musician and actor Jards Macalé.
Producer
The life and work of singer, musician and actor Jards Macalé.
Director
The life and work of singer, musician and actor Jards Macalé.
Director
Igor is a teenager with a lot of potential and energy, but without the motivation to stay in school. His case reflects the situation in which many students at risk of dropping out of school live. The short shows a day in the life of this aspiring actor and capoeirista, who lives in Morro dos Prazeres.
Director
La Rueda shows an everyday night in Pucallpa, a city located in the Peruvian Amazon. Colors, noises and lights are projected. Families transport their children to the amusement park. Fears, fantasies, joys and vertigo intertwine. A new world of sensations arises. The film dialogues with the most distant memories and drives of childhood and in the plots of affection between mothers and children.
Director
Expedito is a retired man who has lost ties with life. Among other anonymous ones, he walks around the city of Rio de Janeiro witnessing conflicts of others.
Camera Operator
The documentary is a journey into the open heart of South America, through the Brazilian forest toward Peru and Bolivia, where is the reality of people historically excluded from the political process of their countries and for the first time ever seek effective participation in shaping their own destiny.
Editor
The documentary is a journey into the open heart of South America, through the Brazilian forest toward Peru and Bolivia, where is the reality of people historically excluded from the political process of their countries and for the first time ever seek effective participation in shaping their own destiny.
Cinematography
The documentary is a journey into the open heart of South America, through the Brazilian forest toward Peru and Bolivia, where is the reality of people historically excluded from the political process of their countries and for the first time ever seek effective participation in shaping their own destiny.
Director
The documentary is a journey into the open heart of South America, through the Brazilian forest toward Peru and Bolivia, where is the reality of people historically excluded from the political process of their countries and for the first time ever seek effective participation in shaping their own destiny.
Producer
Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.
Cinematography
Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.
Editor
Cinematography
Producer
Director
Cinematography
Intervalo Clandestino is a documentary that seeks to translate the state of mind of the Brazilian people in the face of the country's social and political reality. The film seeks to show the role of politics and its practical effects on citizens' lives.
A broad reflection emerges in the anonymous voices surprised at random in the crowd. They are ordinary people, from different professions, with different visions, who speak to the camera about their impressions, desires and frustrations, discussing politicians, voting, corruption, distrust and the future of Brazil.
Writer
Intervalo Clandestino is a documentary that seeks to translate the state of mind of the Brazilian people in the face of the country's social and political reality. The film seeks to show the role of politics and its practical effects on citizens' lives.
A broad reflection emerges in the anonymous voices surprised at random in the crowd. They are ordinary people, from different professions, with different visions, who speak to the camera about their impressions, desires and frustrations, discussing politicians, voting, corruption, distrust and the future of Brazil.
Director
Intervalo Clandestino is a documentary that seeks to translate the state of mind of the Brazilian people in the face of the country's social and political reality. The film seeks to show the role of politics and its practical effects on citizens' lives.
A broad reflection emerges in the anonymous voices surprised at random in the crowd. They are ordinary people, from different professions, with different visions, who speak to the camera about their impressions, desires and frustrations, discussing politicians, voting, corruption, distrust and the future of Brazil.
Cinematography
Editor
Short film based on letters sent from The Brazilian Film Director Glauber Rocha to his former Assistant and friend, Jirges Ristum, father of the director André Ristum. The film is about a friendship and a work relation, and was directed by the son of Jirges and edited by the son of Glauber, Eryk Rocha.
Screenplay
A man shaves under the watchful eye of a cat. His beard becomes a cat and the cat a beard. The film merges the two concepts of chimera: as a noun, it is the result of imagination that tends not to come true; in Greek mythology, a figure with the hybrid appearance of two or more animals.
Director
A man shaves under the watchful eye of a cat. His beard becomes a cat and the cat a beard. The film merges the two concepts of chimera: as a noun, it is the result of imagination that tends not to come true; in Greek mythology, a figure with the hybrid appearance of two or more animals.
Director
Documental sobre el exilio del realizador brasileño Glauber Rocha en Cuba durante 1971 y un diálogo entre el Cinema Novo de Brasil y el cine revolucionario cubano. Dos entrevistas grabadas en La Habana y la Estética del sueño, fueron puntos de partida de este filme que no es sobre Glauber, sino a través de Glauber. Rocha que voa es un documental que demuestra que el cine político, poético, revolucionario y de ficción de Glauber Rocha (como el de nuestro Raymundo Gleyzer) no es un cine que gusta. Es un cine que apasiona.
