Vitaly Mansky

Just like the novel 1984, film 2020 is not about a calendar year, although it is about unique events. The year 2020 serves as a backdrop for a conversation about freedom and unfreedom, starting on the eve of 2020 with Mikhail Gorbachev and continued by Latvian theatre director Alvis Hermanis; documentary filmmaker Vitaly Mansky, who emigrated from Russia to Latvia; actress Chulpana Hamatova, who was once a confidante of Vladimir Putin; and actor and artistic director Yevgeny Mironov. Together, they create a theatrical production on freedom and a man who gave everyone equal opportunities to enjoy it.

Just like the novel 1984, film 2020 is not about a calendar year, although it is about unique events. The year 2020 serves as a backdrop for a conversation about freedom and unfreedom, starting on the eve of 2020 with Mikhail Gorbachev and continued by Latvian theatre director Alvis Hermanis; documentary filmmaker Vitaly Mansky, who emigrated from Russia to Latvia; actress Chulpana Hamatova, who was once a confidante of Vladimir Putin; and actor and artistic director Yevgeny Mironov. Together, they create a theatrical production on freedom and a man who gave everyone equal opportunities to enjoy it.

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

Federación de Rusia, 31 de diciembre de 1999. Tras la inesperada dimisión del presidente Boris Yeltsin, el primer ministro Vladimir Putin se convierte en presidente interino del país. Desde ese día y durante un año, la cámara de Vitaly Mansky documentó el ascenso al poder de Putin. La historia de un testigo privilegiado. La dura explicación de por qué la política es el arte de la posibilidad de lograr lo mejor con el apoyo de muchos, pero también de dar lo peor a cambio.

Federación de Rusia, 31 de diciembre de 1999. Tras la inesperada dimisión del presidente Boris Yeltsin, el primer ministro Vladimir Putin se convierte en presidente interino del país. Desde ese día y durante un año, la cámara de Vitaly Mansky documentó el ascenso al poder de Putin. La historia de un testigo privilegiado. La dura explicación de por qué la política es el arte de la posibilidad de lograr lo mejor con el apoyo de muchos, pero también de dar lo peor a cambio.

Federación de Rusia, 31 de diciembre de 1999. Tras la inesperada dimisión del presidente Boris Yeltsin, el primer ministro Vladimir Putin se convierte en presidente interino del país. Desde ese día y durante un año, la cámara de Vitaly Mansky documentó el ascenso al poder de Putin. La historia de un testigo privilegiado. La dura explicación de por qué la política es el arte de la posibilidad de lograr lo mejor con el apoyo de muchos, pero también de dar lo peor a cambio.

Federación de Rusia, 31 de diciembre de 1999. Tras la inesperada dimisión del presidente Boris Yeltsin, el primer ministro Vladimir Putin se convierte en presidente interino del país. Desde ese día y durante un año, la cámara de Vitaly Mansky documentó el ascenso al poder de Putin. La historia de un testigo privilegiado. La dura explicación de por qué la política es el arte de la posibilidad de lograr lo mejor con el apoyo de muchos, pero también de dar lo peor a cambio.

Russia. August-September 2016. A month remains before the State Duma elections. The main characters of the film are a mother of four children, a paralympic, an opposition journalist, a philologist girl, a young economist and a trucker - independent candidates. What made each of them enter the fight and how do these men and women live on the eve of the elections is about this movie.

Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing the Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing the Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

Durante un año esta película sigue la vida de una familia normal de Pyongyang cuya hija es elegida para formar parte de la "Unión de Niños". Las explosiones ritualizadas de color y alegría contrastan marcadamente con la pálida realidad cotidiana, que no es particularmente terrible, sino bastante surrealista, como una vida típica vista "a través de un espejo".

Durante un año esta película sigue la vida de una familia normal de Pyongyang cuya hija es elegida para formar parte de la "Unión de Niños". Las explosiones ritualizadas de color y alegría contrastan marcadamente con la pálida realidad cotidiana, que no es particularmente terrible, sino bastante surrealista, como una vida típica vista "a través de un espejo".

Durante un año esta película sigue la vida de una familia normal de Pyongyang cuya hija es elegida para formar parte de la "Unión de Niños". Las explosiones ritualizadas de color y alegría contrastan marcadamente con la pálida realidad cotidiana, que no es particularmente terrible, sino bastante surrealista, como una vida típica vista "a través de un espejo".

Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

The main characters of the film have made choices, which change their lives forever. A young man Yigal Amir assassinates the Prime Minister of Israel and becomes the most hated prisoner in the country. Larissa, who emigrated from Russia, mother of four divorces her first husband, marries the assassin and gives birth to his son. For many years the film authors have been trying to solve and perceive this complicated story. One of them, Hertz Frank, passes away during the shootings remaining on the threshold of the eternal mystery - life, death and love...

The film is dedicated to the work of one of the most famous Russian composers, the author of the first Soviet rock opera Alexander Zhurbin. The 4 episodes tell about the different facets of the composer's work, about symphonic music, about musical theater, about cinema, about pop songs. The film is built as a monologue of the protagonist, the shooting was carried out in Moscow, Tashkent, New York, St. Petersburg. The composer's wife, poet and translator Irina Ginzburg, and the son, composer Lev Zhurbin, take part in the film.

Using Cuban cities as the backdrop to personal stories, the renowned documentary maker Vitaly Mansky depicts the complexity of contemporary Cuba. As the regime begins to slightly relax its iron grip, the island begins to slowly open up to the world. Despite the economic hardship, a life full of passion, temperament and energy still pulsates in Cuban cities. Food is rationed and decent living conditions is an illusion for many. The dreams of today’s senior citizens, who believed in Fidel and his communist experiment 50 years ago, have not been fully realized. Children of these revolutionaries still follow the ideals of the revolution but do not seem all that convinced. Instead young people prefer to enjoy small pleasures the regime allows for. While many Cubans look for life outside of Cuba, for tourists the island is for many reasons very special destination. Motherland or Death is the story of real life played out against the picturesque background of today’s Cuba.

They say that the average Earthling spends about 10 years of his life at the TV screen. It is pointless to ask whether these are lost years - without television, it is impossible to imagine our civilization, although not 100 years have passed since its invention. "Iconoscope" is a chance to cover the entire vast history of television in 100 minutes of exciting and paradoxical spectacle.

The story is about a family that lives in a ghost town. 15 years ago, there was a job and a happy life here. After the closure of the mine, there were only old barracks, mountains of recycled land and unnecessary people who had lost the meaning of life. Is it possible to survive in such conditions and not sink even lower, when all moral boundaries are erased? Are these people's hopes for happiness destroyed? And is there a place for a holiday, a dream, or love in a hopeless reality? At the festival "Texture" in Perm, the tape was awarded the main prize.

The daily life of the Dalai Lama is brought home with remarkable intimacy in SUNRISE/SUNSET. Granted total access to His Holiness for 24 hours, this is a day in the life of the Dalai Lama from when he wakes up at 3 a.m. until his bedtime at dusk.

Anything can be sold and bought in our modern world. Virginity too. How much is its worth in dollars? Is it worth keeping till marriage? These are the questions girls ask nowadays. But is virginity the only thing a modern girl is ready to sell? Vitalij Manskij’s film follows the stories of three teenage girls from the provinces who come to Moscow wanting to succeed. Each of them has her own plan. One girl hopes to enter popular reality TV show “House 2”. The second thinks she is the new Madonna, or at least, another Britney Spears. The third girl is ready to sell her virginity to get the money she needs for her studies.

A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.

A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.

A documentary film about the life and early death of Russian singer and songwriter Aleksandr Bashlachev through the eyes of his friends, family members and other representatives of rock music scene.

The true, detailed lives of the girls of the Russian pop duo t.A.T.u. as they break through in their promotional tour in America.

Not far from Grozny, on an alternate railroad track, there is an old steam locomotive with several wagons attached to it. The steam engine gives steam — hot water is in the boilers, and a bathhouse is equipped in the cars, where soldiers and officers wash, laundry is washed ... A washing on wheels — at the same time a soldier’s bivouac, a piece of peaceful life, and the beginning of a new road. To this locomotive, these cars come - platooned, in batches and one at a time - tired, tired, unshaven, angry Russian guys. They scrape dirt off themselves. Soak from stubborn soot, warm with souls. They put on clean underwear. They drink vodka. They smoke. They talk about love, remember loved ones and native places. Cry. They sing. And around - the landscape after the battle. It's not over yet ... An accidental explosion. Stray bullet. And our guys washed into the unknown. Clean. Hoping to survive.

Refugees from the Caucasian republics, Armenians, Azerbaijanis and Russians, meet on the shore of the Black Sea: they work as shop keepers, life guards, karaoke singers, or just enjoy their holidays. It all happens at a place called Broadway, which is no-where to be found on a map, not even the most detailed ones. The temporary inhabitants of Broadway construct a whole world en miniature, consisting of small carts, tents or booths parked in close, haphazard rows. The scenery, which is put up for a few weeks during the summer, bubbles with life – and in no way corresponds with ordinary daily life in Russia.

Yulia is sixteen, she lives in a hut and is pregnant. Vanya lives with his parents in a five-story building. His parents are against mesalliance and do not let the couple on the threshold.

The Leningrad period of V. Putin's life.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

The action takes place against the backdrop of the meager life of a decaying Russian village, where several women and an elderly alcoholic man remain. Two old women live here, the youngest of whom, Praskovya, devoted her whole life to her older sister Maria, who stopped growing in her early childhood. The only young woman in the village is expecting a child: everyone believes that from an angel.