Leaving his wife in Osaka, Honda leads a double life in Tokyo – after spending the day as an elite businessman, he flirts around in the evenings. He even rents a secret apartment where he keeps record of his girl hunts in his diary, the ‘Hunter’s Diary’. One day, he finds an article in the newspaper – a murder of a young woman in his diary. A few days later, another woman from his diary is murdered. He soon finds himself in a labyrinth of fear, as women named in his diary are killed one after another...
A battle for a large sum of money unfolds on the docks near a steel mill in a foggy atmosphere. Manzo, an engineer on the verge of retirement, witnesses two men shooting each other and collapsing on the quay while his assistant Shinsuke is away.
Josef von Sternberg dirigió, fotografió, escribió el guión y puso voz al narrador de esta película. En junio de 1944, siete soldados japoneses naufragan y van a parar a una remota isla del Pacífico (An-ta-han), donde pasan siete años. Los únicos habitantes de la isla son el vigilante de una plantación abandonada y su atractiva mujer. Pronto, la disciplina desparece y se impone la lucha por el poder y por la mujer.
Josef von Sternberg dirigió, fotografió, escribió el guión y puso voz al narrador de esta película. En junio de 1944, siete soldados japoneses naufragan y van a parar a una remota isla del Pacífico (An-ta-han), donde pasan siete años. Los únicos habitantes de la isla son el vigilante de una plantación abandonada y su atractiva mujer. Pronto, la disciplina desparece y se impone la lucha por el poder y por la mujer.
According to Donal Richie in The Japanese Film it was meant to do for sumo wrestling what Kurosawa had done for judo in Sanshiro sugata, and that Kurosawa wrote it for Daiei after "drinking up all [his] money" (from his autobiography).
