Lea Giunchi

Lea Giunchi

Perfil

Lea Giunchi

Películas

Scarpetta e l'americana
A fragment of a short comedy of Neapolitan setting, in which the actor Vincenzo Scarpetta, son of playwright Eduardo, is struggling with a Miss across the Atlantic. The woman throws a chest in the sea, asking his lover to recover it as proof of love. He turns to a fisherman, offering him money to complete the recovery for him. The film, shot in 1916, was, for reasons unknown, unpublished until 1918.
Rataplan
Story of a horse of the Italian army in Libya called Rataplan, wounded, treated and then shipped to Italy where is sold to a Coachman.
Lea and the Bobbin
Lea
Bess is busy reading a book when her folks come in and command her to spend more time at work. They give her a ball of yarn, a crochet needle and set her to work. She is left alone and while moving around in her chair she loses track of the ball of yarn. It happens to have been caught in her belt at her back and out of her own view. Being a girl of quick temper and strong in athletics, the home is in so much of a turmoil when her parents return that Bess has not been subjected to work since. (Moving Picture World)
The Human Bridge
Lea
Italian silent western.
Lea as a Doll
Lea
A man promises money to his son if he marries the woman of his choosing. The son (comically) presents his love interest as a doll to convince his father that she is the one he should marry.
Bloomer's Tragedy
Kri Kri can't have the girl he loves, so he fakes suicide.
Exceeding the Time Limit
Il circolo nero
El Círculo Negro es una asociación misteriosa contra la cual la policía ha trabajado sin éxito. Los robos misteriosos se suceden, especialmente en salones de la alta sociedad. Los bandidos no dejan otro rastro que una tarjeta de visita, en la que se dibuja un círculo negro que encierra una corona, propia de algún título nobiliario.
Quo Vadis?
Lygia
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian hostage named Lygia. "Quo Vadis?" is a landmark in epic film-- Certainly Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).
A Lively Day Off
Leah
Two Merry Jokers get "caught with the goods." Leah and Lizette receive notes from their respective admirers, who wish to arrange a holiday party. Leah suggests that the three come to her house and have a jolly time. The two sweethearts, Tony and Fritz, are married men, Tony being Fritz's father-in-law. Each leaves home in the morning, claiming to have an important engagement for the day. Fritz arrives first, with parcels of good things to eat, and Lizette and her friend Tony arrive soon after. The scene which follows may be better imagined than described. However the two men pledge secrecy, and the party proves a huge success. An unexpected sequel follows the next day, for the wives happen to make purchases at the millinery shop in which the girls are employed. On delivering the hats, Leah and Lizette meet their sweethearts and learn that they are married men. Accusations, excuses and a general scrimmage follow. In which the husbands certainly "get theirs." —Moving Picture World
Lea si diverte
Lea
Roman comedienne Lea returns for more hilarious antics in Lea si diverte (1912).
Pinocchio
Fata
Carpenter Geppetto carves a block of wood into a puppet and names him Pinocchio. As soon as his feet have been made, Pinocchio runs out the door and a series of adventures begins.
Lea on Rollerskates
Léa
Italian silent film.