Isabelle Razavet

Amber, Camille, Charles, Imad y Tugdual tienen entre 6 y 9 años. Viven cada momento. Con humor y especialmente con la energía optimista de la infancia, nos cogen de la mano, nos guían por su mundo y comparten sus juegos, sus alegrías, sus risas, sus sueños... y su enfermedad.

Corniche Kennedy. In the blue of the Mediterranean, at the foot of luxurious villas, the young kids of Marseille defy the laws of gravity. Marco, Mehdi, Franck, Mélissa, Hamza, Mamaa, Julie : girls and boys dive, take flight, take risks to experience life to the fullest. Suzanne devours them with her eyes from inside her chic villa. Their free bodies, their excess. She wants to be part of them. She will be part of them.

Agathe despacha a un seductor del tres al cuarto con un aplomo desconcertante bajo el cual, sin embargo, se adivina cierta fragilidad. Samir, que observa la escena tímidamente desde un rincón del café, se queda maravillado. En un momento, este joven amable y alelado con una mirada de una candidez desarmante, se enamora perdidamente de ella. Sin dudar ni un segundo, el joven compra un abono trimestral en la piscina municipal en la que Agathe da clases, rodeada por una curiosa tropa de empleados municipales. Cuando Agathe vuelve a marcharse para participar en un congreso internacional de monitores de natación, Samir hace la maleta inmediatamente.

Being born a woman, feeling like a man & deciding to cross the boundary between the genders. That’s the path taken by those known as trans-boys. In San Francisco, Paris & Barcelona, a four-way portrait of Lynnee, Kaleb, Rocco & Miguel, four individuals who embody & explore the fluidity of gender.

After a job interview gone wrong, Lulu sets sail leaving her husband and three children behind. But being an adventurer is easier said than done.

Betty desaparece un domingo por la mañana y su desaparición es tan enigmática como misteriosa. ¿Se escapó? Betty nunca habría abandonado a sus dos hijos. ¿Fue asesinada? No hay rastro de lucha.

It's early summer and Agathe is back in France, at home in Montreuil. She has to get over her husband's death and return to her work as a film director. The unexpected arrival at her house of a couple of Icelanders, a sea lion and a neighbour that she has always desired yet never vanquished will give Agathe the strength to get her life back on track...

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

Voluptuous and bored, rebellious sixteen-year-old Sabine is interested in sex and clubbing, and not much else. But when she leaves home to move to Paris, she finds herself plunged into a world harsher than she ever imagined, a minefield of exploitation that will test her courage.

There were four friends. Now there are only three – one of them has just died in Sicily in a stupid road accident. Fifteen years earlier, Tomas, a young French filmmaker, had made the group the subject of a documentary. He had become their friend, their brother from Paris.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.

Few of the characteristics that can be associated with Jean Paul Civyrac can be seen in his first film, a 14 minute short feature. Inevitably, considering its short length, the film is necessarily very much a character study, since there is little room to develop much in the way of a plot. Luc (Jean Descanvelle) is a young man who is determined to do things his own way and consequently conflicts with everyone he meets. He doesn’t give a damn what anyone thinks, isn’t interested in any advice they might have to give and is not interested in assistance from friends or family. He is going to do things his way, and do whatever it takes to make money, which is mainly performing sexual favours for any man who is willing to pay for it.