Vladimir Brylyakov

The protagonist Mikhail Nosov is a simple worker. His life consists of work at the machine tool and loneliness in a small rented apartment, TV, the Internet and visiting cheap night clubs. Once Nosov gets acquainted with a prostitute by the name of Diana. Nosov likes Diana and hires her as escort. Diana should live in his apartment. However, Diana turns out completely different to what Nosov imagined her to be, and his life takes an abrupt turn: unexpectedly he goes against his firm principles, changes priorities and understands that life is not as one- dimensional as it seemed to him from the conversations with colleagues and news programmes.

A semi-fictional account of the life of Russian poet Joseph Brodsky, who was forced into American exile in 1972.

Film about the work of Ukrainian film director Kira Muratova.

Nikolai Petrovich comes to St. Petersburg to organize a revolution against the oligarchy.

The main character, whose life seemed to have lost all meaning, suddenly receives an inheritance abroad. This leads to the most unexpected consequences, the most important of which is a new, this time happy, meeting with your beloved.

Catalyst in the story of crossed paths is a 1957 Ford Fairlane being driven through Portugal’s Alentejo region to a new owner. Film’s overly protracted opening has car’s drivers (Filipe Cochofel, Antonio Pedro Figueiredo) joy riding the night away until the roadster breaks down. Momentum picks up at sunrise with their attempts to fix the car. A retired mechanic-turned-beekeeper with a heart condition (Canto e Castro) does the trick and convinces Figueiredo to take him cross-country on a motorbike to look up an old friend. Cochofel and the mechanic’s alarmed niece (Maysa Marta) follow in pursuit. The old man dies peacefully on the road, but Figueiredo, having wholeheartedly grasped his deliverance mission, keeps going.

The story of the fallen angel Gilbert, who returns to earth with a terrible mission. He must kill his own daughter.

This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.

A musical fable inspired by Plato’s Symposium. In a shameless speech, Alcibiades, a prominent young Athenian aristocrat, propounds his strategies to seduce the old philosopher, Socrates. He believes that the wisdom and knowledge he imagines Socrates has, can be transmitted via physical contact.

Olga, married to a reach American businessman, returns to Russia after six years.

Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.

Olga, is a young intelligent woman who raises a young son. She ends up falling in love with a married man who does not dare to leave his family.