Colin Martin

Durante el viaje en tren, una joven socialité se hace amiga de una encantadora y a la vez enigmática mujer mayor, sin embargo, cuando la mujer desaparece, los otros pasajeros niegan que alguna vez existió.

Basada en la novela de Sarah Waters "The Night Watch" narra de una forma extraordinaria la vida de gays y lesbianas durante la II Guerra Mundial en la devastada ciudad de Londres. Mientras el Reino Unido intenta reconstruirse, Kay recorre las calles, perseguida por una pérdida que ha marcado su vida, al tiempo que Helen y Viv se ponen al frente de una agencia matrimonial que ayuda a las personas a reconstruir sus vidas a través del amor. (FILMAFFINITY)

Oklahoma! is a 1999 musical film directed by Trevor Nunn, choreographed by Susan Stroman, and starring Hugh Jackman as Curly McLain, Josefina Gabrielle as Laurey Williams, and Maureen Lipman as Aunt Eller. The production featured the entire 1998 London revival cast at the Royal National Theatre.

In hospital, photographer Jinx Kingsley wakes from a coma after a car crash - a failed suicide attempt, prompted by her fiance Leo jilting her to elope with Jinx's lifelong best friend, Meg. The discovery of Leo and Meg's bodies - brutally murdered in the same manner as Jinx's first husband - makes Jinx the prime suspect. Then, with the help of eminent neuroscientist Dr.Alan Protheroe, some memories begin to surface. Memories of desperation and paralysing terror.

Documentary about Merchant Ivory Productions, including interviews with the principals of the film production company and actors which have appeared in their films.

A documentary which explores the making of Jim Henson and Frank Oz's 1982 fantasy film 'The Dark Crystal', which originally aired on PBS in the United States on January 9, 1983. This one-hour documentary details the technological innovations in the field of animatronics, art design, film making, and Henson's own brand of magic. Requiring 5 years of production, including over two years of pre-production, The Dark Crystal was inspired by the imagination of artist Brian Froud and conceived by scores of talented designers, builders, technicians, and performers. The World of the Dark Crystal shows how Jim Henson's Creature Shop in London and the Muppet Workshop in New York brought Brian Froud's art and Jim Henson's vision to life.

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Igor: The Paris Years, one segment of a larger biographical program created for Channel 4 on the life and times of Igor Stravinsky, finds the brothers working in a slightly different vein than the one that would come to characterize their later work. This is the first section, which covers the pianist’s “French period” from roughly 1920-1939, and it details, among other things, his connection with Jean Cocteau (who, as a matter of fact, contributes voice work to this project). Filtered through gonzo and impressionistic puppetry (often bearing strong resemblance to the work of Terry Gilliam), the film takes an unconventional and often beautiful stab at the television biography special.

A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.

Experimental essay in film history, associating very early archive material (circa 1909) and studio shot footage in an attempt to provide insights into the way in which "film language" developed during the silent era, with emphasis on the process by which spectators came to be increasingly "contained" with the space time of narrative.

Two children help an eccentric professor test his new time machine.