Cinematography
An entertaining documentary look at dinosaurs with Emmy Award-winning special effects, feature film clips and stills, commentary by leading paleontologists of the time, and an on camera as well as voice-over narrative by Christopher Reeve. Shot on location in Los Angeles and New York at the American Museum of Natural History
Director
This delightfully spontaneous film focuses on the love and affection two young brothers feel for each other. It captures the normal conflicts of early childhood -- the quick changes from happiness to sorrow, from cooperative play to tears and arguments -- all the while keeping these conflicts in perspective; showing them within the framework of the joy that the boys find in each other's presence. A wonderful children's film that enchants adults as well.
Additional Photography
Después de perder ocho años en prisión, el vaquero J. W. Coop es liberado para volver a la vida como un vaquero de rodeo profesional en los años 60. Decidido a compensar los años 'primordiales' perdidos de su carrera, avanza tenazmente y aprende que no solo ha cambiado el negocio del rodeo durante su encarcelamiento, sino que también la sociedad en su conjunto ha realizado cambios dramáticos.
Cinematography
While I Run This Race is a 1967 American short documentary film about poverty in the United States directed by Edmond Levy. The film follows VISTA (Volunteers In Service To America) working in two Arizona migrant community groups. It was nominated for an Academy Award for Best Documentary Short.
Cinematography
A promotional short for John Boorman's "Point Blank" shot on and around Alcatraz. Lee Marvin, Angie Dickinson and former inmate Joe Giles share their thoughts on the former prison.
Cinematography
Documentary about the VISTA (Volunteers in Service to America) program.
Camera Operator
Promotional film extolling the wonders to be seen at the New York World's Fair.
Director
Behind the scenes documentary of the filming of Tennessee Williams' The Night of the Iguana.
Cinematography
Structured as a complementary social and historical companion piece to John Ford's final western Cheyenne Autumn (1964), this documentary short intersperses clips from the big-screen epic with background information about the Northern Cheyenne Exodus of 1878–1879 and contrasts it with life on the Cheyenne reservation in 1964, as a tribal chief, a tribal beauty queen, and a tribal adolescent take a drive along the route of the 19th-century trek.
