Narimane Mari

Nacimiento : , Algiers, Algeria

Películas

We Had the Day Bonsoir
Director
As the notes of Amor Amor by Norie Paramor resonate across the opening images – water lit by twilight – names scroll across the screen, the names of people, living or dead, unknown or well-known, whose presence and voices populate this cosmic film.
143 Sahara Street
Producer
In the Algerian desert in her relay, for a cigarette, a coffee or eggs, a woman welcomes truckers, vagabonds and dreams... Her name is Malika.
Every Pulse of the Heart Is Work
Producer
From a snake charmer to a welder, from a weaver to an obstetrician, the inhabitants of the holy city of Varanasi are striving for survival, and transform and ennoble themselves in the process. A hypnotic study of people at work—a street beggar, a surgeon, a weaver, a priest, a masseur, a tabla drum maker, and a crane operator: people who in their intense concentration and ritualized movements evoke the idea of human labor as an act of spiritual devotion and social interdependence. Filmed largely in India’s ancient holy city of Varanasi
Holy Days
Director
A man digs his own grave and, and as though to keep him from it, the elements and beings quiver.
Atlal
Producer
Ouled Allal is an area ravaged by war during the nineties in Algeria. A constellation of beings, voices, bodies, and buildings face the test of time and live the scars of a low war without fronts. Among the ruins, memory travels; images and sounds draw a poetic map and a psycho-geographical exploration of the place.
Le fort des fous
Director of Photography
Departing from material records of the early colonial “scientific expeditions” and “taming campaigns” led by the French colonizers in North Africa, the story follows a community of young nomads and wanderers as they form an imagined utopian society. Reenactments, improvisations, and interviews performed and conducted with the inhabitants of Algiers, Kythira Island, and the Prosfygika community in Athens inform this work as instances of alternative temporality and autonomous space.
Le fort des fous
Editor
Departing from material records of the early colonial “scientific expeditions” and “taming campaigns” led by the French colonizers in North Africa, the story follows a community of young nomads and wanderers as they form an imagined utopian society. Reenactments, improvisations, and interviews performed and conducted with the inhabitants of Algiers, Kythira Island, and the Prosfygika community in Athens inform this work as instances of alternative temporality and autonomous space.
Le fort des fous
Writer
Departing from material records of the early colonial “scientific expeditions” and “taming campaigns” led by the French colonizers in North Africa, the story follows a community of young nomads and wanderers as they form an imagined utopian society. Reenactments, improvisations, and interviews performed and conducted with the inhabitants of Algiers, Kythira Island, and the Prosfygika community in Athens inform this work as instances of alternative temporality and autonomous space.
Le fort des fous
Director
Departing from material records of the early colonial “scientific expeditions” and “taming campaigns” led by the French colonizers in North Africa, the story follows a community of young nomads and wanderers as they form an imagined utopian society. Reenactments, improvisations, and interviews performed and conducted with the inhabitants of Algiers, Kythira Island, and the Prosfygika community in Athens inform this work as instances of alternative temporality and autonomous space.
A Roundabout in My Head
Producer
In the largest slaughterhouse in Algiers, men live and work in closed to the throbbing rhythms of their tasks and their dreams. Hope, bitterness, love, paradise and hell, the football stories as of the Chaabi and Rai melodies that set their lives and their world.
Bloody Beans
Editor
Un grupo de niños se baña en una playa, hasta que el conflicto comienza: se trata de la Guerra de Independencia de Argelia, reinterpretada enteramente por niños de seis a catorce años en un viaje surreal en el que los adultos representan el poder colonial opresor.
Bloody Beans
Cinematography
Un grupo de niños se baña en una playa, hasta que el conflicto comienza: se trata de la Guerra de Independencia de Argelia, reinterpretada enteramente por niños de seis a catorce años en un viaje surreal en el que los adultos representan el poder colonial opresor.
Bloody Beans
Screenplay
Un grupo de niños se baña en una playa, hasta que el conflicto comienza: se trata de la Guerra de Independencia de Argelia, reinterpretada enteramente por niños de seis a catorce años en un viaje surreal en el que los adultos representan el poder colonial opresor.
Bloody Beans
Director
Un grupo de niños se baña en una playa, hasta que el conflicto comienza: se trata de la Guerra de Independencia de Argelia, reinterpretada enteramente por niños de seis a catorce años en un viaje surreal en el que los adultos representan el poder colonial opresor.