Pierre Gendron

Leo, a former convict, is living in seclusion on an island with his step-daughter, the daughter of his late wife. Leo was framed by a group of former business associates, and he also suspects that one of them killed his wife. He has invited the group to his island, tempting them by hinting about a hidden fortune, and he has installed a number of traps and secret passages in his home. He is aided in his efforts by a former cell-mate who holds a grudge against the same persons. When everyone arrives, the atmosphere of mutual suspicion and the thick fog that covers the island promise a tense and hazardous weekend for everyone.

Un peligroso asesino, apodado Barba Azul, tiene aterrorizados a los habitantes de París. A todos menos a Lucille, una modesta costurera que, desoyendo el clamor popular, decide salir a dar un paseo nocturno por la ciudad. Gracias a ello conocerá a Gaston Morrell, un titiritero que le ofrecerá trabajo como modista en su espectáculo de marionetas. La llegada de Lucille a la compañía provocará los inevitables celos de Renee, la amante de Gaston. Lo que ninguna de las dos conoce es que Gaston posee una cara oculta que desearían no conocer jamás.

Mad scientist injects his enemies with acromegaly virus, causing them to become hideously deformed.

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.

Wholesome country girl Mary works at the House of Magic beauty salon and pines for the owner Clay. Unfortunately Clay has also been targeted by experienced vamp Rita.

Slim Jim Carey, the leader of a criminal gang, is in reality a nobleman called Lord Talbois, and his daughter is the rightful heir to the family estate. When "Slim Jim"'s gang finds out about this, they conspire to cheat her out of her inheritance by passing off one of the gangster's girlfriends as the real daughter. Unbeknownst to the gang, however, their leader isn't dead and finds out what they're up to. Complications ensue.

The Lover of Camille was a 1924 American silent romantic drama film directed by Harry Beaumont, and starring Monte Blue. The film was based on the French novel Deburau by Sacha Guitry, which was also adapted into a Broadway play by Harley Granville-Barker.

Early Canadian Drama

Nellie Wayne, a retired Broadway actress, has a small dog named "Chum", who is part of a vaudeville act and is the sole support of the family.

En eminent pianist is made deaf by an anarchist's bomb during a command performance.

A 1922 silent film.

Remotely derived from Balzac, the plot centers on Maurice Travers, who, through the self-sacrificing efforts of his mother, is able to attend college, though his love for sports and consequent neglect of his studies prevent his graduation. Madeline Marshall, an orphan living with Maurice's mother, loves him, but Maurice marries Donna Wayne, daughter of a wealthy New Yorker; and in the city they lead a carefree life. Her father insists that he support her, but he cannot. Following the blindness and death of his mother, Donna elopes with a rich suitor, and after a divorce Maurice finds happiness with the faithful Madeline.