Producer
Margo Channing's famous line, "Fasten your seatbelts. It's going to be a bumpy night," characterizes well the actress who played her in All About Eve--the inimitable Bette Davis. In fact, Davis's son comments in Lifetime's Intimate Portrait: Bette Davis that watching Margo Channing is much like watching Bette Davis. Davis's film career spanned six decades, in which she starred in 112 films, receiving 10 Academy Award nominations and 2 Oscars. Yet her life was not always the charmed one of a starlet; from a broken home, herself three times divorced, once widowed, betrayed by her own daughter's scathing biography, Davis found solace in her work, which didn't always come easy for her. When she first approached Hollywood in 1930, the studios didn't know what to do with such an odd beauty. This portrait of the actress covers a lot of ground, and leaves you wanting more.
Director
Margo Channing's famous line, "Fasten your seatbelts. It's going to be a bumpy night," characterizes well the actress who played her in All About Eve--the inimitable Bette Davis. In fact, Davis's son comments in Lifetime's Intimate Portrait: Bette Davis that watching Margo Channing is much like watching Bette Davis. Davis's film career spanned six decades, in which she starred in 112 films, receiving 10 Academy Award nominations and 2 Oscars. Yet her life was not always the charmed one of a starlet; from a broken home, herself three times divorced, once widowed, betrayed by her own daughter's scathing biography, Davis found solace in her work, which didn't always come easy for her. When she first approached Hollywood in 1930, the studios didn't know what to do with such an odd beauty. This portrait of the actress covers a lot of ground, and leaves you wanting more.
Director
This 30th anniversary documentary treats film fans to a behind-the-scenes look at the making of "My Fair Lady," the classic musical about a poor young girl transformed into a woman of society through the tutoring of Prof. Henry Higgins. Includes footage of the filming process, as well as discussion by modern film critics about the impact movie had on later films.
German director Hans Noever shot this crime drama in the U.S. in English, an unusual achievement at this time. The setting is Jefferson City, Missouri, and Joseph Randolph (Martin West), a VIP in a fictional electronics company, has just gotten the sack. The company bigwigs insist it is simply because of downsizing, but Randolph is not buying it. Enraged, he gets a handgun (this is the U.S.) and shoots five managers to death. Then he turns himself in and is eventually put in a psychiatric hospital by the police. His family suffers a series of tragedies that leave only his daughter to wonder about why her father was committed to an institution. She joins with a visiting reporter from Chicago and another interested man, and all three start digging deeper into the company's history.
