Zahim Albakri

The films story takes place over the course of one day. Bapak senses that he does not have much time left and so he invites his offspring to have dinner with him the next evening. He want to discuss some family matters concerning their inheritance, a large part of which is his home, a large sprawling house set in an acre of prime real estate located in the centre of Kuala Lumpur. An unexpected visit by two strangers leads Bapak to change his plans and bring the dinner forward to that evening instead.

The films story takes place over the course of one day. Bapak senses that he does not have much time left and so he invites his offspring to have dinner with him the next evening. He want to discuss some family matters concerning their inheritance, a large part of which is his home, a large sprawling house set in an acre of prime real estate located in the centre of Kuala Lumpur. An unexpected visit by two strangers leads Bapak to change his plans and bring the dinner forward to that evening instead.

The films story takes place over the course of one day. Bapak senses that he does not have much time left and so he invites his offspring to have dinner with him the next evening. He want to discuss some family matters concerning their inheritance, a large part of which is his home, a large sprawling house set in an acre of prime real estate located in the centre of Kuala Lumpur. An unexpected visit by two strangers leads Bapak to change his plans and bring the dinner forward to that evening instead.

Four young Malaysians, Salmi, Razak, Ani and Angee have been assigned to do a picture book of ‘1957’. While two of them grudgingly carry out the request made by the publisher, Zahari, one of them takes on the role enthusiastically. Along the way, they find themselves immersed in the characters, emotional moments, identifying with and finding meaning in the struggle of ‘1957’. They weave the story of independence by transporting themselves back to the past. Ordinary Malaysians who fell in love, and found their love for the country override their personal emotions. The present characters find new meaning to ‘Merdeka’

Tok Wan Rimau, the custodian of the spiritual tiger, is searching for a female heir to inherit her powers. Tina (Maya Karin) and Ari (Rusdi Ramli) are the relatives of Tok Wan. They are also best friends. Tok Wan`s spiritual tiger protects her family and their village from harm. Tina, who is in love with Ari, nurtures her secret dream of marrying him even though the villagers often ridicule the effeminate Ari as a sissy. Deeply traumatised by these insults, Ari continues to hide behind his close relationship with Tina. Despite parental objections, Tina seems destined to be the next in line as custodian of the mystical tiger. But Ari steps in, offering himself instead.

Latiff, a famous but lonely photographer who was orphaned as a small child, sets out on an expedition to photograph abandoned houses around Malaysia. On his journey, he is haunted by images and sounds that remind him of his traumatic childhood. At one particular house on the island of Penang, he is transported back through time to witness the shocking events that took place in the house over 50 years ago. Through his experience, Latiff understands the tragic circumstances that led to him being orphaned, and also finds an old friend...The Red Kebaya.

Haikal, who produces western drama, travels to Malaysia's east coast in search for his identity as a Malay. There, his destiny arranges a meeting with a girl who still upholds the tradition of Malay. Although she is engaged to someone else, Haikal finds himself strongly attracted to her.

Rin makes singing as a side career, although he has high academic qualifications. His career has come to fruition in which he has made his name as a singer. After his mother's death, he seems to lose direction and purpose in life. His father Datuk Rahim was a successful entrepreneur and at the same time wants his son to follow in his footsteps to help run the business. Rin close friends with a mechanic who has his own workshop.

Mastura, who returns from her studies abroad, feels the loss of her good pal, E.J. who has chosen to follow the path of the religious extremist group led by Brother Musa. She decides to pick up voluntary work as her mission to promote good will for society. Halim, who has had experiences working abroad serving the Middle East, supports Mastura’s good intention and encourages her to join ‘Rescaid’, a volunteer organization. In her line of duty in helping the children refugees from Palestine, Mastura falls in love with Kamal, a divorcee who shares the cause she is pursuing. The success of a nation-wide charity concert promoted by Mastura and the team from ‘Rescaid’ becomes the pride of the locals, until one day, tragedy strikes unexpectedly. However, it does not kill Mastura’s determination to protect the fate of the unfortunate.

A private detective's investigation of a group of woman gangsters led by Mama Bosan and at the same time an infidelity case.