Clara T. Bracy

In the span of five years, pioneering director D.W. Griffith delivered some 450 films for the Biograph Company at a rate of two or three films per week. One and two reels in length, these works showed the filmmaker inventing, borrowing, and perfecting techniques he later used to memorable effect in "The Birth of a Nation," "Intolerance," "Way Down East" and "Orphans of the Storm." Including Lillian and Dorothy Gish, Mary Pickford, Mack Sennett, Lionel Barrymore, Henry Walthall, and Mae Marsh. Among the 22 titles included on this landmark release are such widely recognized masterworks as "The Musketeers of Pig Alley," "The Battle at Elderbush Gulch," "The New York Hat," and "A Corner in Wheat."

An impoverished British lord (Paul Menford) impersonates a doctor in order to woo an ailing American heiress (Dorothy Adams). The lord is in it for love, but his business associate (Joe Diamond) smells money.

A 1914 film drama

Steve Monteith and Ezra Mason, upper class men, and Bill Bronson, a plebe, are chums and roommates at West Point before the Civil War. Steve prepares to leave for his home in Virginia, and Mason and he exchange photographs before parting. General Abner Montieth, Steve's father, and his sister Clairette are overjoyed and surprised when Steve arrives. Aunt Margie and her adopted daughter, Joan Fitzhugh, who is very fond of Steve, join the family and give Steve a warm welcome. One year later the rumble of war is heard. Steve, now a major, and his father, General, leave at the head of separate companies with the Confederate troops.

It was Christmas Eve in the south, but the spirit of peace and love did not pervade the northern girl's heart. The gallantry of the young southern swains, however, was more than manifest, when a drunken band of Unionists entered the house, among them her sweetheart. From him was protection needed most. His rival, a Confederate soldier, showed her that character is far above political principle, and true love came into its own.

In the apartment hotel lived the aspiring maid, whose solicitude maintained order in the bachelor's apartment. He was her ideal, and the all-adoring bell-boy was firmly but gently given to understand that maids who read "Heliotrope Glendening's Advice to Young Ladies" look higher than ice-water toters. A compromising complication, however, with an unexpected visit from a beautiful lady, quite convinces the aspiring one that wealthy young bachelors may be the grandest men ever, but their aspirations, when it comes to the crucial test, are not for chambermaids. Science influences his actions so much that he gets into trouble with the police.

A stage dancer (Sweet) and a serious-type homebody (Walthall) discover, after marriage, that their individual styles don't mesh. The movie includes elaborate dance sequences.

His dumb grief was mistaken for indifference at his mother's death-bed, but it was the non-committal lady who learned the truth. The favorite son came to woo and win her. She made fine biscuits. In the end, as is quite apt to be the case, the lady gave up herself and her accomplishments in a way quite unexpected.

The woman of the camp implores her lover to marry her, and he promises to do so, but goes away and does not return. Target of the camp's jeers, she lives alone until her child is born dead. The doctor fears for her reason if she discovers that all her shame and anguish have been in vain. He has another maternity case on the outskirts of the camp, where the Saint, as the trapper's wife is known, dies in giving birth to a child...

To fulfill a dying mother's bequest for her daughter, the town pastor purchases the daughter a stylish hat, and gossip spreads through the town.

When the double wedding takes two daughters away from the old man at once, the youngest, now the only one left, in outraged spirit promises never to leave her father, but soon she too is departing for a new home. Then comes a cold hard fact of life. The son-in-law claims his right to make a home alone for his wife. In his bitterness and anger, the father denies them both the house. Several years later the lonely old man meets at the gate a babe in arms. When he learns whose baby it is, heart hunger craves another sight, and sought, brings with it the only natural result.

A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.

Kenneth Marsden, a young artist in failing health is advised to go south to New Orleans, where he expects to find accommodation with an old-time friend of his mother. The old lady receives the son of her dear friend with open arms, but her two convent-bred nieces, Mary and Edith, are horrified at the thought of a man in the house. However, it isn't long after his arrival that he has made a decided impression upon the young ladies.

A struggling young seamstress supports her elderly parents by working at home. The landlord offers free rent for sex, but she declines. He threatens foreclosure, but she is saved when a large sewing order comes her way. She rushes to the landlord’s office to arrange for an extension on the rent, encounters the landlord’s son, and leaves an ambiguous message saying only that she must see the landlord on important business. The old man receives the message and leaves for her apartment. His son, unaware of his father’s lechery, innocently follows after him to convey an urgent business message. When he walks in on his father attacking the seamstress, he interferes, denounces the old man, and provides the girl’s family with food and medical help.

Continuing where His Trust (1911) leaves off, George takes care of his deceased master's daughter after her mother's death. He sacrifices his own meager savings to give the girl a good life, until the money runs out and he tries to steal money from the girl's rich cousin.

Two sisters, Nellie and Florence, support themselves and their mother by sewing. A man accompanying a wealthy client tempts first Nellie and then Florence to leave with him. Nellie rejects him, but Florence goes to his decadent apartment and becomes his mistress. Nellie marries a diligent carpenter and raises a growing family. Eventually the Tempter tosses Florence out, and she dies alone and impoverished.

A country girl follows a city suitor, but is left alone and must fend for herself.

Two Johns, a Confederate and an Union soldier, leave their families to go to the front. After a skirmish they end up separated from their respective sides, the Union soldier shoots the Confederate, but he has to escape and look for refuge in the house of his enemy.

Typical morality tale has a Deacon coming onto a "wild child" (Dorothy West) but after she rejects him he goes back into town saying that the girl and her mother are witches.

In the opening of this subject we find the callow youth as he points towards the city's spires, exclaiming to his dear old mother, "Mother, there in the big city is my sphere. There will I turn the world over." Off he goes cityward, ambitious and presumptuous, and perhaps we may add reckless. Alas, the city's whirl is quite a change from the simple quiet life in the country and the youth falls a victim to the snares that beset the unsophisticated.

Peggy is a high-spirited young woman from a poor family. One day she catches the eye of a wealthy lord, who proposes marriage and wants to introduce her into his social circle. But complications arise when the lord's nephew also becomes attracted to Peggy.

A wealthy, callous moneylender finds a terrifying way to learn about money's limitations.

Two sisters want to know whether there is romance in their future. One sister pulls the petals off of a flower, while the other has her fortune told by a gypsy. When the gypsy tells the fortune so as to serve his own purposes, complications soon develop.

A scrappy lad from the skids attempts to court a well-to-do maiden. During his visits to her family estate, he upsets the Uplift committee that's weaseled their way into the home.

After her mother's death, Ruth struggles to support herself as a seamstress. While Ruth delivers shirts to the factory owner, the owner's son steals some money and Ruth is accused of the crime. She flees the ghetto of New York's Lower East Side and hides in the country where she meets a young farmer.

Pippa awakes and faces the world outside with a song. Unbeknown to her, the music has a healing effect on all who hear her as she passes by.

A confirmed bachelor learns that he will inherit his late uncle's fortune only if he marries, which he does reluctantly. Shortly afterward he returns to his bachelor lifestyle but realizes he can't get his wife's face out of his thoughts.

A son leaves to seek his fortune in the city. Many years later he returns and checks into his parents' inn. They don't recognize him, but noticing his fat wallet, plan to rob him.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

Nekhludoff, a Russian nobleman serving on a jury, discovers that the young girl on trial, Katusha, is someone he once seduced and abandoned and that he himself bears responsibility for reducing her to crime. He sets out to redeem her and himself in the process.

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

This is a very short and rare attempt at comedy by D. W. Griffith.

An upper class drawing room. A gentleman breaks the curtain pole and goes in search of a replacement, but he stops into a pub first. He buys a very long pole, and causes havoc everywhere he passes, accumulating an ever-growing entourage chasing him, until he escapes them through a bit of movie magic, only to discover that the pole has already been replaced.

As Poe's lover is slowly dying, he struggles to make money to care for her.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.

Mack Sennett appears as a cop in this film produced by the Biograph Company.

Mack Sennett appears as a man in the bar in this film produced by the Biograph Company.