Pedro Von Krüger

Películas

Um Dia Qualquer
Screenplay
Under the masks and fantasies of another day in Rio's suburbs, the intense reality of families and neighbors living in a neighborhood under the domain of the expansive militia is hidden.
Um Dia Qualquer
Director
Under the masks and fantasies of another day in Rio's suburbs, the intense reality of families and neighbors living in a neighborhood under the domain of the expansive militia is hidden.
Alien Nights
Producer
Rio Branco, Acre, an Amazon city near the border with Peru and Bolivia, has been suffering the violent impacts of recent changes in trafficking routes, which have arrived with violence in the Brazilian Amazon. In this scenario, the lives of three young childhood friends intertwine and ultimately, they find themselves in a common tragedy.
Agunia
Director
Zuzu Zero, the Angry Eagle from the Agunia team. The story of this emblematic persona is mixed with one of the most traditional parades from the suburbs of Rio de Janeiro: The Agunia do Sapê.
Fevereiros
Director of Photography
Un récord en la victoria de la escuela de samba brasileña Estação Primeira de Mangueira en el desfile del carnaval de 2016. El desfile de Mangueira de ese año fue un homenaje a la cantante Maria Bethânia. El documental también sigue a Bethânia sobre las celebraciones de Nuestra Señora de la Purificación, en Bahía, al noreste de Brasil.
Eduardo Galeano, Vagamundo
Camera Operator
Alvará
Director
Memória em Verde e Rosa
Director
The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.
Nise: El corazón de la locura
First Assistant Camera
Después de ser liberado de la prisión, el Dr. Nise da Silveira está de vuelta en el trabajo en un hospital psiquiátrico en las afueras de Río de Janeirom donde ella se niega a emplear la nueva y violenta de electroshock en el tratamiento de los esquizofrénicos. Ridiculizado por los médicos, se ve obligada a asumir el Sector abandonada de terapia ocupacional, donde comenzaría una revolución a través de pinturas, los animales y el amor.
Geraldinos
Cinematography
Maracanã was built for the first World Cup in Brazil in 1950. Initially, it had a democratic space called General. The record analyzes the recent works in the stadium and shows classic fans.
Estrada de Sonhos
Director
Grandstand’s Lung
Director
The film tells the story of the largest organized crowd in Brazil, the Red Black Race, from its foundation in 1977 until 2009, whose trajectory coincides with the greatest glories of the Clube de Regatas Flamengo.
Carta Para o Futuro
Producer
Socialism in Cuba by the eyes of four generations of Cubans.
Heleno (Príncipe Maldito)
Camera Operator
Una mirada acronológica y en profundidad a la vida de Heleno (1920-1959), mítico y controvertido futbolista brasileño de los cuarenta. Conocido como «Gilda» por su temperamento violento, Heleno fue el príncipe de la edad dorada de Río de Janeiro. Apuesto, encantador y refinado en los elegantes salones de baile, tenía un carácter explosivo y lleno de pasión en la cancha. Heleno estaba seguro de que era el futbolista brasileño más grande de todos los tiempos, pero la guerra, la sífilis y una turbulenta vida lo alejaron de ese destino de gloria, precipitando la tragedia.
15 Minutes of Tolerance
Assistant Camera
A woman lost in a mall parking lot tries desperately to find her way out. As she wanders aimlessly between parked cars, she struggles to maintain her sanity and resolve a decaying relationship via her cell phone, discovering the hard way how much she may have contributed to being the victim of her own labyrinth.
The Dead Girl's Feast
Second Assistant Camera
"The Dead Girl's Feast" narrates the story of Santinho, a young man who has been exalted to the position of a saint in a remote riverine community of the upper Amazonas state, after performing a “miracle” upon the suicide of his own mother. The film seeks to be an intimate picture of the ones who are involved in this sect and of the infinite human capacity of “fabricating” faith and seeking for some sense in the horrifying experience of death.