Production Manager
Philippe Abrams, el director de una oficina de correos del sur del Francia, intenta obtener de manera fraudulenta su traslado a la Costa Azul pero, una vez desenmascarado, le obligan a trabajar en Bergues, un pueblo junto a la frontera con Bélgica. Aunque cuando llega allí se encuentra con un lugar idílico y gentes encantadoras, a su mujer le asegura que vive en un auténtico infierno.
Production Manager
En 1948 Clément Mathieu, profesor de música desempleado, acepta un puesto como profesor vigilante en un internado de reeducación de menores. El sistema represivo aplicado por el director conmociona a Mathieu. Enseñándoles música y canto coral a estos niños tan difíciles, Mathieu transformará sus vidas cotidianas.
Executive Producer
En la china comunista, durante los años la revolución cultural de los setenta, un muchacho es enviado a un remoto campo de adoctrinamiento del régimen maoista, para ser educado por los campesinos locales en las ideas del régimen. Allí conocerá la literatura prohibida de occidente, la amistad verdadera y el amor de la bella hija mayor del sastre del pueblo.
Production Manager
Exposé of two news photographers covering the People's Revolution in the Philippines.
Producer
A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Arab youths plot violence. One Israeli officer swoons in the heat and Arab women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Arabs must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?
Production Manager
Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.
Production Manager
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.
Producer
Set amid the European community in an unspecified North African country, a colony on the verge of nationalism just before the war. And colonized is what happens to a French diplomat, Julien Rochelle, when he meets the mysterious beauty Clothilde de Watteville. Schmid 's favorite axiom, that love is projection, never had such a thorough airing. Is Clothilde really the wife of a French official now holed up in Siberia? Or is she Hecate, goddess of black magic and devourer of the Arab boys she meets far from the European quarter? Only our projections know for sure; for the rest, she is a "woman looking out into the night." Drawn from a novel by Paul Morand, who based the main character on his wife Helene, Schmid's film achieves an atmosphere of magic in which psychological credibility is not so much absent as irrelevant-a film that distances itself from the drama it invokes, perhaps as the elusive Clothilde turns her back on the madness she provokes.
Producer
In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer.
Associate Producer
Although there are women in the lives of the three main protagonists -- a middle-aged architect, his construction designer, and a journalist -- the women are not as crucial to the men's search for an identity as the title might suggest. When the three men run into a former professor of the architect and designer, they are inspired by his fanfare and expansive nature. Still in search of solutions to their particular problems, the men head out to visit the professor and get to the bottom of their own issues. Unfortunately, the professor turns out to be more "loco" than otherwise, and the three men watch their hopes burst like a popped balloon -- it seems like their ability to assess human character should now be added to their list of problem spots.
Production Manager
Beatrice, una muchacha discreta y silenciosa, trabaja de aprendiz de peluquera con su amiga Maryléne, una rubia coleccionista de hombres y desilusiones. Beatrice conoce a François, un estudiante de buena familia. Se enamoran y deciden irse a vivir juntos a París. Ella plancha y él estudia. Pero las diferencias de clase y cultura percibidas por el chico comienzan a resquebrajar la relación...
Production Manager
The friends who attended the same boarding school meet and take turns telling their recent romantic experiences. These turn out to be as varied as they are crisp, from the initiation of a student by a teacher to the misunderstanding in the company of a lord, through the false English but true seducer, the swimmer obsessed with his physical condition and, obviously, love in a group (Le Chat Qui Fume).
Producer
1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.
