Shigeo Arikawa

A film about “the end”. The end has already started, and ended. We call it “the end” in order to perceive it and make it “visible”, but it had already passed when we called it “the end” , or “the end” is always penetrating the present, so we can not recognize time of the end. The end has already started, and ended. The disaster of an earthquake and nuclear crisis in 2011 Japan affected a lot when it comes to making artworks. This work is the first film of a series called PIXCANNING. The word “Pixcanning” is coined from “pix (picture / pixel)” and “scanning” . It is a method used to scoop up (scanning) elements that pass through the meshes of perception (pixel) when images (picture) appear or images are constructed.

A film about “the end”. The end has already started, and ended. We call it “the end” in order to perceive it and make it “visible”, but it had already passed when we called it “the end” , or “the end” is always penetrating the present, so we can not recognize time of the end. The end has already started, and ended. The disaster of an earthquake and nuclear crisis in 2011 Japan affected a lot when it comes to making artworks. This work is the first film of a series called PIXCANNING. The word “Pixcanning” is coined from “pix (picture / pixel)” and “scanning” . It is a method used to scoop up (scanning) elements that pass through the meshes of perception (pixel) when images (picture) appear or images are constructed.

A film about “the end”. The end has already started, and ended. We call it “the end” in order to perceive it and make it “visible”, but it had already passed when we called it “the end” , or “the end” is always penetrating the present, so we can not recognize time of the end. The end has already started, and ended. The disaster of an earthquake and nuclear crisis in 2011 Japan affected a lot when it comes to making artworks. This work is the first film of a series called PIXCANNING. The word “Pixcanning” is coined from “pix (picture / pixel)” and “scanning” . It is a method used to scoop up (scanning) elements that pass through the meshes of perception (pixel) when images (picture) appear or images are constructed.

Dreams often take on a very concrete form, and yet capturing them on film is incredibly tricky. In Shigeo Arikawa’s imaginative world, a geometric and yet absolutely unpredictable surrealistic vision materializes into a disturbing and, at the same time, alluring form.

Dreams often take on a very concrete form, and yet capturing them on film is incredibly tricky. In Shigeo Arikawa’s imaginative world, a geometric and yet absolutely unpredictable surrealistic vision materializes into a disturbing and, at the same time, alluring form.