João Rosas

In the heart of Bairro Alto, right in the centre of Lisbon, the building of an old printing workshop is demolished to make way for luxury apartments. Seeing this as a perfect image for the death of a certain Lisbon in the wake of the financial crisis and the ensuing real estate and touristic boom, the director films an urban diary portraying the daily life of the construction site and those who work there. What starts out as a work-centred film turns out to be the story of the director’s relationship with his hometown and with the people who build it.

Struggling to settle in her first apartment, Laura returns to the space where she has always been happy, the beach where she spent holidays with her parents. For the first time, she feels the urge to say goodbye to her childhood in order to create her own space.

A sus 63 años y a punto de jubilarse, Joaquim se ve obligado a cumplir una serie de extranas normas para poder cobrar el subsidio de desempleo. Pese a saber que no volverá a trabajar, tiene que ir de empresa en empresa pidiendo sellos que prueben que pasó por ahí en busca de trabajo. En estos trayectos recuerda su vida como inmigrante en los Estados Unidos, donde trabajó como taxista en la ciudad de Nueva York y donde presenció numerosas caídas de la bolsa de Wall Street.

It's summer in Lisbon and Nicolau is an undecided boy. Among his doubts about the university course to follow and what kind of girl to choose for his girlfriend, Nicolau spends his days trying to figure out who he wants to be when he's bigger. The problem is, he's about to finish the secondary exams, he is already big, without having things clearer. From indecision to indecision, Nicolau navigates in sight, with the only compass for his possible choices being the girls he is going to fall in love and with those he imagine as many possible futures.

One of the most far-reaching events in a human life is the birth of your baby. But life with a newborn can be so ordinary and at the same time all-embracing: the wash is drying in the corridor, the bathroom has to be cleaned. In the calm rhythm of the day, 'Ordinary Time' skims past authentic moments like this.

It's a summer weekend in a country house near Sintra, in Portugal. Fourteen-year-old Nicolau is spending a couple of days with his older brother Simão and his friends, all of them in their late twenties. Everyone is drawn to the beautiful and quiet Maria do Mar, but Nicolau will see his life the most deeply shaken by her. Between homework and tree-climbing, stories about a deceased philandering grandfather and the origins of the tortellini's shape, a friend in a costume nursing a broken heart and seduction games, Nicolau observes this group of young adults.

It's a summer weekend in a country house near Sintra, in Portugal. Fourteen-year-old Nicolau is spending a couple of days with his older brother Simão and his friends, all of them in their late twenties. Everyone is drawn to the beautiful and quiet Maria do Mar, but Nicolau will see his life the most deeply shaken by her. Between homework and tree-climbing, stories about a deceased philandering grandfather and the origins of the tortellini's shape, a friend in a costume nursing a broken heart and seduction games, Nicolau observes this group of young adults.

It's a summer weekend in a country house near Sintra, in Portugal. Fourteen-year-old Nicolau is spending a couple of days with his older brother Simão and his friends, all of them in their late twenties. Everyone is drawn to the beautiful and quiet Maria do Mar, but Nicolau will see his life the most deeply shaken by her. Between homework and tree-climbing, stories about a deceased philandering grandfather and the origins of the tortellini's shape, a friend in a costume nursing a broken heart and seduction games, Nicolau observes this group of young adults.

Documental constuido sobre las experiencias de vida y trabajo de personas que acudieron al programa Nuevas Oportunidades de un centro de formación laboral en la localidad de Alverca entre los años 2006 y 2010, teniendo como telón de fondo la realidad portuguesa de los últimos 40 años. Partiendo las historias de vida de los protagonistas, la película se convierte en un debate sobre el trabajo en el mundo contemporáneo. (FILMAFFINITY)

Mariana is an 11 years old girl coming from Serpa who just moved to Lisbon with her father. The first days are spent in the city cleaning the house and knowing the new neighborhood, Entrecampos. After the first day of school, Mariana gets lost coming home and has to call her father for help. The next day, she becomes friends with a boy in her class, Nicholau, and his older brother, Simão. The two brothers invite Mariana for lunch and help her to get home.

Mariana is an 11 years old girl coming from Serpa who just moved to Lisbon with her father. The first days are spent in the city cleaning the house and knowing the new neighborhood, Entrecampos. After the first day of school, Mariana gets lost coming home and has to call her father for help. The next day, she becomes friends with a boy in her class, Nicholau, and his older brother, Simão. The two brothers invite Mariana for lunch and help her to get home.

Mariana is an 11 years old girl coming from Serpa who just moved to Lisbon with her father. The first days are spent in the city cleaning the house and knowing the new neighborhood, Entrecampos. After the first day of school, Mariana gets lost coming home and has to call her father for help. The next day, she becomes friends with a boy in her class, Nicholau, and his older brother, Simão. The two brothers invite Mariana for lunch and help her to get home.

A director gathers all the pieces he needs to make his film: a set, an actor, a writer, a director of photography, a studio, a script, a director.

All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?

All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?

David, wood-mask sculptor, and Adélia, ancient songs connoisseur, are the characters of this movie set in Trás-os-Montes, north-east of Portugal. They testify the neglect condition of this land, where survive traces of a prehistoric ocean.