Director of Photography
A heartfelt film about sisterhood, desires, jealousy, and youth in the never-ending tropical summer of Panama
Producer
A heartfelt film about sisterhood, desires, jealousy, and youth in the never-ending tropical summer of Panama
Producer
Rosmeri is the last inhabitant of a ghost town evicted by the constant eruptions of a volcano in Costa Rica. He has found a new way of life taking care of the animals that were left in the area and working in his cafeteria. The pressure from her family and the authorities is not enough to make her leave her home. Rosmeri says that the volcano is her friend and will keep her safe; and that relationship is the force that will help her resist.
Editor
Ana es una arquitecta de 35 años, recién divorciada, con dos niñas pequeñas e hija de exiliados chilenos. Cuando una de las hijas de Ana le abre una cuenta en Facebook a su abuela, ella reconecta con un antiguo amor de la universidad, a quien verá pronto en Chile. Desde ese momento la vida de Ana tambalea, pues repite el rol de su madre y se convierte en esa mujer que nunca quiso ser.
Director of Photography
Ana es una arquitecta de 35 años, recién divorciada, con dos niñas pequeñas e hija de exiliados chilenos. Cuando una de las hijas de Ana le abre una cuenta en Facebook a su abuela, ella reconecta con un antiguo amor de la universidad, a quien verá pronto en Chile. Desde ese momento la vida de Ana tambalea, pues repite el rol de su madre y se convierte en esa mujer que nunca quiso ser.
Executive Producer
Ana es una arquitecta de 35 años, recién divorciada, con dos niñas pequeñas e hija de exiliados chilenos. Cuando una de las hijas de Ana le abre una cuenta en Facebook a su abuela, ella reconecta con un antiguo amor de la universidad, a quien verá pronto en Chile. Desde ese momento la vida de Ana tambalea, pues repite el rol de su madre y se convierte en esa mujer que nunca quiso ser.
Director of Photography
A young woman receives a letter from the biological mother she has never met. She sets off to Valparaíso to find her.
Director
Nina and Laura are a couple whose four year-old son Mateo has just died. Laura moves back to Chile seeking the comfort of her family while Nina, intending to reunite with her shortly, is left to tie up loose ends at home: storing Mateo's things and renting out their house. 'What a big space such a little body can fill, what a massive abyss there is now between your mom and me'.
Producer
Nina and Laura are a couple whose four year-old son Mateo has just died. Laura moves back to Chile seeking the comfort of her family while Nina, intending to reunite with her shortly, is left to tie up loose ends at home: storing Mateo's things and renting out their house. 'What a big space such a little body can fill, what a massive abyss there is now between your mom and me'.
Producer
Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.
Cinematography
Puerto Limon, Costa Rica, 1948. Four days before Christmas, Setico a 12-year-old boy must take a train in search of his father. A trip that will reveal the forgotten memories of this banana enclave and the murder of six political prisoners in a place known as Devil's Elbow.
Producer
Puerto Limon, Costa Rica, 1948. Four days before Christmas, Setico a 12-year-old boy must take a train in search of his father. A trip that will reveal the forgotten memories of this banana enclave and the murder of six political prisoners in a place known as Devil's Elbow.
Editor
Emilio vive en el campo, apartado de la agitada vida de la ciudad. Un día descubre que alguien ha invadido su terreno y tiende una trampa para atrapar al intruso. Sin embargo, Emilio se reconoce en el visitante y encuentra en él una parte de su vida que le habían arrebatado.
Producer
Emilio vive en el campo, apartado de la agitada vida de la ciudad. Un día descubre que alguien ha invadido su terreno y tiende una trampa para atrapar al intruso. Sin embargo, Emilio se reconoce en el visitante y encuentra en él una parte de su vida que le habían arrebatado.
Screenplay
Emilio vive en el campo, apartado de la agitada vida de la ciudad. Un día descubre que alguien ha invadido su terreno y tiende una trampa para atrapar al intruso. Sin embargo, Emilio se reconoce en el visitante y encuentra en él una parte de su vida que le habían arrebatado.
Director
Emilio vive en el campo, apartado de la agitada vida de la ciudad. Un día descubre que alguien ha invadido su terreno y tiende una trampa para atrapar al intruso. Sin embargo, Emilio se reconoce en el visitante y encuentra en él una parte de su vida que le habían arrebatado.
Writer
An evangelical priest is forced to question the true reason why God has placed him on earth. With this in mind, the priest is invited to give a religious service in the state prison of Guatemala City, where he meets Beto, a young fisherman accused of killing a thirteen-year-old girl. The priest sees in Beto a chance to redeem himself and once Beto is released from prison, the priest decides to help him. The priest gives Beto job and shelter in the church, causing his family and congregation to turn against him. Convinced of Beto's innocence and affirmed only in his faith, the priest decides to help him at all costs. Until one day, an unexpected crime occurs in the surroundings of the church.
Director
An evangelical priest is forced to question the true reason why God has placed him on earth. With this in mind, the priest is invited to give a religious service in the state prison of Guatemala City, where he meets Beto, a young fisherman accused of killing a thirteen-year-old girl. The priest sees in Beto a chance to redeem himself and once Beto is released from prison, the priest decides to help him. The priest gives Beto job and shelter in the church, causing his family and congregation to turn against him. Convinced of Beto's innocence and affirmed only in his faith, the priest decides to help him at all costs. Until one day, an unexpected crime occurs in the surroundings of the church.
Producer
Margarita tiene un tumor en la base del cerebro que le impide ver, sin embargo los médicos aseguran que de operarla. la niña podría recuperar la vista. Blanca, su madre, hará todo lo posible por conseguir el dinero para la operación, incluso poner en riesgo a su comunidad.
Editor
Margarita tiene un tumor en la base del cerebro que le impide ver, sin embargo los médicos aseguran que de operarla. la niña podría recuperar la vista. Blanca, su madre, hará todo lo posible por conseguir el dinero para la operación, incluso poner en riesgo a su comunidad.
Writer
Margarita tiene un tumor en la base del cerebro que le impide ver, sin embargo los médicos aseguran que de operarla. la niña podría recuperar la vista. Blanca, su madre, hará todo lo posible por conseguir el dinero para la operación, incluso poner en riesgo a su comunidad.
Director
Margarita tiene un tumor en la base del cerebro que le impide ver, sin embargo los médicos aseguran que de operarla. la niña podría recuperar la vista. Blanca, su madre, hará todo lo posible por conseguir el dinero para la operación, incluso poner en riesgo a su comunidad.
Producer
Martinez, an embittered Chilean in his sixties who has lived in Mexico for the past 40 years and is being forced to retire from his job. As he struggles with life changes, a neighbor suddenly dies and as he sifts through her diary and her things, he begins to live vicariously through her and find new meaning in life.
