Peter Snowdon

PelĂ­culas

We Are Going to Record
Director
A recording session of local songs and music in a remote part of Peru. Footage shot by an ethnographer is edited to draw out the hesitant spaces before and between.
The Uprising
Music
The Uprising shows us the Arab revolutions from the inside. It is a multi- camera, first-person account of that fragile, irreplaceable moment when life ceases to be a prison, and everything becomes possible again.
The Uprising
Editor
The Uprising shows us the Arab revolutions from the inside. It is a multi- camera, first-person account of that fragile, irreplaceable moment when life ceases to be a prison, and everything becomes possible again.
The Uprising
Writer
The Uprising shows us the Arab revolutions from the inside. It is a multi- camera, first-person account of that fragile, irreplaceable moment when life ceases to be a prison, and everything becomes possible again.
The Uprising
Director
The Uprising shows us the Arab revolutions from the inside. It is a multi- camera, first-person account of that fragile, irreplaceable moment when life ceases to be a prison, and everything becomes possible again.
Tree Stain Man (Homage to Stan)
Director
An experimental round dance in three movements, composed using footage of trees taken in Oxford in spring 2001. My first ever roll of Kodachrome 40. A homage to the life-in-work of Stan Brakhage.
Breather
Director
A man finds a stone outside his house. He picks it up - with unforeseen consequences.