Serge Giguère

In this very personal and poetic film, veteran documentarian Serge Giguère pores through 100 letters written by his late mother to him and his 15 siblings. In them, she details the trials and tribulations of raising 16 children in rural Quebec, while helping to run a family carpentry business. Through inventive and playful techniques, Giguère brings the stories alive, applying creative approaches to family photographs, archival footage and staged reenactments. He mixes his mother's stories with his own memories and those of his siblings, some of whom hear for the first time what their mother had to say about them. Through these intertwining stories, the film presents not only a testament of a mother's complicated love for her many children, but also offers an intimate look at 1950s working class Quebec. - Aisha Jamal (Hot Docs Film Festival)

In this very personal and poetic film, veteran documentarian Serge Giguère pores through 100 letters written by his late mother to him and his 15 siblings. In them, she details the trials and tribulations of raising 16 children in rural Quebec, while helping to run a family carpentry business. Through inventive and playful techniques, Giguère brings the stories alive, applying creative approaches to family photographs, archival footage and staged reenactments. He mixes his mother's stories with his own memories and those of his siblings, some of whom hear for the first time what their mother had to say about them. Through these intertwining stories, the film presents not only a testament of a mother's complicated love for her many children, but also offers an intimate look at 1950s working class Quebec. - Aisha Jamal (Hot Docs Film Festival)

In this very personal and poetic film, veteran documentarian Serge Giguère pores through 100 letters written by his late mother to him and his 15 siblings. In them, she details the trials and tribulations of raising 16 children in rural Quebec, while helping to run a family carpentry business. Through inventive and playful techniques, Giguère brings the stories alive, applying creative approaches to family photographs, archival footage and staged reenactments. He mixes his mother's stories with his own memories and those of his siblings, some of whom hear for the first time what their mother had to say about them. Through these intertwining stories, the film presents not only a testament of a mother's complicated love for her many children, but also offers an intimate look at 1950s working class Quebec. - Aisha Jamal (Hot Docs Film Festival)

Years after first being inspired by a Félix Leclerc song, Martine Chartrand directed the film MACPHERSON. Ten years in the making, it features animated painting on glass and draws on her extensive research on the title character. Filmmaker Serge Giguère was there from the start, carefully and sympathetically chronicling this exceptional creative process.

Years after first being inspired by a Félix Leclerc song, Martine Chartrand directed the film MACPHERSON. Ten years in the making, it features animated painting on glass and draws on her extensive research on the title character. Filmmaker Serge Giguère was there from the start, carefully and sympathetically chronicling this exceptional creative process.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

Raymond Roy is a 64-year-old idealist, an energetic social activist ready to give everything he has to those living on the edge: the alienated, impoverished and exploited members of society. Raymond is also a priest, doing what he has wanted to do ever since he was a teenager. Filmmaker Serge Giguère paints an intimate portrait of a man who has spent 30 years fighting for an alternative vision of life in his community. The film is a blend of cinema vérité and social history that provides a view of the man and his work from without and within, from the poetry of his personal diary laced with doubts and self-criticism, to the many achievements of the community groups he helped. Filming over several years, Giguère gives us a sense of the changes in values and attitudes of those who run our society, along with the role of the community groups who provide solutions, inspiration and a sense of renewal.

Les Grands Enfants does not tell a story in the traditional sense. Instead, it offers an honest image of people's dreams of change : people often unemployed, dissatisfied in some way with their work, or caught up in complicated social relationships. The film is set in Montreal.

A working class family leaves St-Henri quarter in Montréal to build a new home in the countryside.

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

A documentary about the folk country musician Oscar Thiffault, the famous songwriter of Le Rapide blanc.

Guy Nadon is the rhythm incarnate. A jazz drummer who strikes on everything that makes noise. A king of musical improvisation, but also a king of improvisation, sometimes holding words bordering on surrealism.