K.L. Saigal

Inder is from a well-educated family but spends his life to help people in need which causes many misunderstandings

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Jayant Desai directs this melodrama centering on Kanhaiyalal (K. L. Saigal) who, according to a fortuneteller at his birth, will consort with a prostitute, grow skillful with a knife, and be sentenced to the gallows. As the film progresses, this unpromising prediction comes true, but in an unexpected manner. After a family tragedy, Kanhaiyalal and his mother find shelter in the home of a kindly whore named Saguna (Suraiya) who eventually sacrifices her life for that of the protagonist. Later, he becomes handy with a knife when he goes to med school and becomes a surgeon. As Kanhaiyalal matures, he and his mother battle against crime and poverty.

Jayant Desai directs this melodrama centering on Kanhaiyalal (K. L. Saigal) who, according to a fortuneteller at his birth, will consort with a prostitute, grow skillful with a knife, and be sentenced to the gallows. As the film progresses, this unpromising prediction comes true, but in an unexpected manner. After a family tragedy, Kanhaiyalal and his mother find shelter in the home of a kindly whore named Saguna (Suraiya) who eventually sacrifices her life for that of the protagonist. Later, he becomes handy with a knife when he goes to med school and becomes a surgeon. As Kanhaiyalal matures, he and his mother battle against crime and poverty.

Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.

Renowned, talent singer Tansen is settled in a small village. He has a lover whom he loves madly namely Tani. His singing talent pampers everyone in his village namely the animals, the Maharaja's and other living organisms.

A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.

Two street urchins dream of singing and making it big in the glamorous world of theatre in Calcutta.

Un famoso musical Saigal que narra una extraña historia de amor.

Un famoso musical Saigal que narra una extraña historia de amor.

Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Prince Parvez is against the marriage his mother has arranged for him with a neighbouring princess.

For the first time in Indian cinema, flashback was used for storytelling.

The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.

The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.