Sandra Trostel
Historia
Sandra Trostel is a filmmaker and producer who deals with storytelling in the digital age. Through artistic and scientific debate her work focuses on the analysis of current and future social developments through digitalization and the possibility of participation and co-creation. Depending on the project, she uses various media and forms.
Her documentary projects such as Utopia Ltd., Everybody's Cage or All Creatures Welcome have been presented at international festivals, in cinema and on television. She also participates in think tanks and theatre projects, leads workshops and lectures on her work.
Producer
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Director of Photography
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Sound Designer
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Editor
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Director
All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Club, Europe's largest hacker association. The film dispels common clichés and draws a utopian picture of a possible society in the digital age.
Editor
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Producer
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Sound Designer
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Screenplay
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Director
In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.
Director of Photography
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Editor
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Producer
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Director
Anton Spielmann (18) and his two younger friends Basti Muxfeldt and Jonas Hinnerkort are living in their family homes with their parents in an idyllic village close to Hamburg. The three of them founded the band 1000 Robota. The band has an ambitious aim: „We want to cause creation not to remind of it”, and they want to live up to their ideals. In a society affected by economic pressure 1000 Robota are questioning themselves and others and they don‘t want to meet other people‘s expectations. In a world of excessive supply they are looking for significance and want to unite with others to create a new way of youth culture. But soon they have to face some serious difficulties.
Editor
They're young. They're hungry for life. And they've left the cold, gray North behind for fun and adventure on a Mediterranean island. Elisa: rich, spoiled, fleeing from daddy and his stifling upper-class morals. Richie: the sexy drifter for whom every woman is a potential meal ticket; Florian: sensitive, gentle, the type not only girls gravitate to; Daniel: stuck between adolescence and small-mindedness. But even in paradise there are some dark corners that never get any sun. It's where you can lose your way, or your bearings... where you can discover love or refuse to see it... where you realize that you haven't really left the cold, gray North behind – but that it's inside you - and that this is real life...
Editor
