Alicia Segovia Juárez
Historia
Alicia Segovia Juárez has a degree in Communications. She graduated with honors as a film director from the University Center for Film Studies (C.U.E.C. - U.N.A.M) with her film “Jerusalem”. She has written and directed several short films, documentaries and fiction, which have been screened in national and international festivals such as the Critics' Week at Cannes Film Festival 2014, the São Paulo International Film Festival, the Sarajevo Film Festival and the Film Academy Vienna Film Festival, among others. Her work has also received awards such as Special Award Studio 5 de Mayo at the 11th Morelia International Film Festival 2014; the Best Film Award at the AluCine Latin Film + Media Arts Festival 2014 in Toronto, Canada; an Ariel nomination in 2011 by the Mexican Academy of Film Arts and Sciences; the London Film Academy Scholarship at the International Film Festival Expresión en Corto 2010.
Editor
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
Director
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
Editor
Art is the way in which some children from San Gregorio, Atlapulco, sublimate their trauma when witnessing the 2017 earthquake in Mexico.
Editor
Desplazados por la violencia que arrasó su pueblo, Paloma y Lobo sobreviven tratando de amarse. A través de la sed, el miedo y la nostalgia, Paloma desea volver a casa pero Lobo vive atado a un recuerdo que le impide regresar.
Sound Designer
Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.
Sound Mixer
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Sound Designer
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Sound Mixer
During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
Screenplay
Carmina y Ana son dos hermanas que se enfrentan a la ausencia de sus padres y viven sus días lidiando con una soledad acompañada.
Director
Carmina y Ana son dos hermanas que se enfrentan a la ausencia de sus padres y viven sus días lidiando con una soledad acompañada.
Sound Recordist
Un granjero va con su hijo Raúl, muy aficionado al fútbol, a la finca del señor Tamero, un potentado y dueño de las tierras que cultiva, para tratar de negocios. Allí está también Hernán, hijo del dueño, quien insiste en jugar al balón con Raúl y después en beber cerveza y bañarse en la piscina.
Director
Andrea bids farewell to her childhood and, as facing the possibility of a change in her life, she decides to play on a last ride.
