Bhaskar Chandavarkar

A tale within a tale, Maati Maay is a multi-dimensional, multi-layered film exploring a wide range of human relationships in a traditional society.

Binni lacks self-confidence and is annoyed by the constant unsolicited advice from her family. However, her life takes a turn when she meets a magician.

In this quiet drama about a large and loving family, what the parents want the most for their children -- a good education -- causes them to endure what they want the least for themselves, an empty house. As this engaging story opens, a retired schoolteacher and his wife are at home with their four grown sons and one daughter. The oldest son is a teacher whose wife is expecting a baby. The youngest son is a student in New Delhi and, defying custom, his young wife opts to go live with her own family while her husband is at school instead of remaining with her in-laws. Will her behavior and that of the younger generation undermine the tradition that holds the society and family together? After the youngest son graduates and gets a job, he and his wife move across the country to New Delhi. As the siblings continue to grow and develop their own lives and families, the mother and father face a gradual and inevitable adjustment to living without them.

A remote, backward village sacrifices five women to appease the evil spirit in a tree.

Ravi, a progressive schoolteacher in a small village helps fight an epidemic by getting his students inoculated. He incurs the wrath of local witchdoctor in the process.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

Arvind Desai es el único hijo de un rico hombre de negocios que trabaja con productos de lujo. Sus sentimientos por su padre son ambivalentes. Aunque odia su personalidad dominante, admira su poder y su falta de escrúpulos.

The movie explores the cultural problems experienced by an American woman, newly married to an Indian, adjusting to Indian norms and customs. It depicts a modern man who studies agriculture in the United States, returns to India with an American wife with their different views. The theme is one alienation from the fellow human beings.

Swapnadanam is a 1976 black-and-white Malayalam-language film that marks the directorial debut of K. G. George. A marital psychodrama, it rejected all the usual song-dance numbers of popular cinema, yet succeeded in reaching the common mass.

A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.

Shyam and Soni live with their mother in a village. They are very poor. The children give away the only bread piece to a hungry saint, who in turn gives them a magical conch. The children somehow discover that the conch reveals something foul concerning the listener. While patrolling, the disguised king reaches the kids and the children give the conch to him, requesting to pass it to the king, saying that this is magical. The king, using the conch, finds that his cousin wants to poison him. The king reaches his palace and confirms the plot against him and punishes the culprits. The king sends jewelery, garments, sweets, fruits etc for the kids and punishes the moneylender, and comes to take them along. The message "Good deeds do not go unrewarded".