Je Jeong-ju

Nacimiento : 1977-04-25,

Películas

Concerning My Daughter
Producer
Green is a professor in a long-term relationship with her lesbian partner. Failing at preparing the deposit for the house and Green being laid off for helping her homosexual colleague, the only option they can choose is to move in with Green’s mother. As their awkward stay prolongs, the mother drives all her energy into her job as a caregiver.
The House of Us
Producer
A girl from a troubled family befriends two younger girls and begins to feel a sense of normalcy as they go adventuring at the seaside.
A Midday Picnic
Producer
A family who are uncomfortable together, but worry about each other goes on a sudden camping trip. A group of youths who have no idea about their future and live crumpled lives go on a trip. A single person who thinks it's alright to be alone goes on a trip as well.
Let Us Meet Now
Producer
In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.
Adulthood
Producer
At her dad's funeral, Kyungun meets her uncle Jaemin, a complete stranger. He bilks her father's insurance money. She demands her money back, but he unashamedly refuses. To get her money back, she joins his next scam.
Cinema with you
Producer
Sun-mi works at a reception desk of a public institution in Daegu, Korea. Nothing happens to her, and she has the same lunch every day. One day, a message is sent to her. This little incident in her ordinary life stimulates her curiosity. Saturday morning, a film director Ga-young participates into a Q&A section of her new movie entitled The Murder at Cinema. Eun-jung, a foreman in a production line, tries to find Min-cheol who disappeared with the book of accounts. She meets his acquaintances to ask where they saw him, and finally she heads to the cinema where she heard that he often visits.
Home
Producer
Junho, a grade school student, is left all alone after his mom’s car accident. His half-brother’s father takes pity on him and brings him home. Knowing that he can be kicked out any day, Junho tries desperately to stay.
Last Child
Producer
Cuando su hijo se ahoga al salvar la vida de un amigo, la pareja se ofrece a acoger al niño. ¿Qué pueden hacer con el niño que sobrevivió a su propio hijo? El padre intenta enseñarle a trabajar y lo cuida como a una familia. La madre le es distante pero poco a poco abre su corazón.
Yongsoon
Producer
Yong-soon is an 18-year-old high school student. She falls in love with her gym teacher, but she thinks her teacher might have a girlfriend. Yong-Soon and her friends try to find out whether he does have a girlfriend, but they can't find any clues. Making things worse, her father brings a new stepmother from Mongolia.
The World of Us
Producer
A una edad en que quizás las amigas significan más que las mamás, Sun, de 10 años, es un marginado de la escuela. Durante las vacaciones de verano, conoce a Jia, que es nueva en la ciudad. Cuando Sun muestra a Jia por el vecindario y juegan en las casas de los demás y comparten secretos, se convierten en mejores amigos. Sin embargo, cuando comienza el nuevo semestre, Jia nota una extraña vibra entre Sun y los otros niños. Jia intenta entrar en el grupo de niños geniales y comienza a distanciarse de Sun. Dentro del mundo quizás más complejo y delicado de los niños que de los adultos, las dos chicas terminan lastimándose y lastimándose mutuamente.
Dear Dolphin
Producer
A man hasn’t got over his girl’s death. While a close friend of her approaches to him, a hallucination of his dead girlfriend haunts him. As he blurs line between reality and fantasy, suspense rises, rushing to explosion.
If You Were Me 5
Line Producer
Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.
Secret Sunshine
Line Producer
Shin-Ae (Jeon Do-Yeon) es una joven profesora de piano que acaba de quedarse viuda y quiere empezar una nueva vida con su hijo Jun en Miryang, pueblo natal de su difunto marido, cerca de Seúl. Shin-Ae abre una academia de piano y busca tierra de cultivo, preparada para afrontar valientemente a la vida. Pero todas sus expectativas de futuro se derrumban cuando de nuevo una tragedia aparece en su vida... (FILMAFFINITY)
The Old Garden
Line Producer
Blending politics with romance, noted director of “The Housemaid” weaves a story of two activists in hiding in a remote shack. The intimate setting proves to be fertile ground for hidden desires.