Philippe Lacôte

Un hombre es enviado a "La Maca", una prisión costamarfileña en medio del bosque, que tiene la particularidad de estar gobernada por sus propios presos. Siguiendo la tradición, con la primera luna roja es designado por el jefe como el nuevo "romano", lo que implica que ha de contar una historia para el resto de prisioneros. Tras descubrir lo que el destino le aguarda, empieza a narrar la vida del legendario rebelde "Zama King", sin otra opción que la de alargar su relato hasta el amanecer.

Un hombre es enviado a "La Maca", una prisión costamarfileña en medio del bosque, que tiene la particularidad de estar gobernada por sus propios presos. Siguiendo la tradición, con la primera luna roja es designado por el jefe como el nuevo "romano", lo que implica que ha de contar una historia para el resto de prisioneros. Tras descubrir lo que el destino le aguarda, empieza a narrar la vida del legendario rebelde "Zama King", sin otra opción que la de alargar su relato hasta el amanecer.

Run escapes... He just killed the Prime Minister of his country. In order to do so, he had to act as if he was a crazy man, wandering through the city. His life comes back by flashes; his childhood with Tourou when his dream was to become a rain miracle-worker, his adventures with Gladys the eater, and his past as a young member of militia, in the heart of the politic and military conflict in Ivory Coast. All those lives, Run didn't choose them. Every time, he felt in by running from another life. That's the reason why his name's Run.

Run escapes... He just killed the Prime Minister of his country. In order to do so, he had to act as if he was a crazy man, wandering through the city. His life comes back by flashes; his childhood with Tourou when his dream was to become a rain miracle-worker, his adventures with Gladys the eater, and his past as a young member of militia, in the heart of the politic and military conflict in Ivory Coast. All those lives, Run didn't choose them. Every time, he felt in by running from another life. That's the reason why his name's Run.

The vitality of the African city has provided local filmmakers with a rich array of stories for their films. African Metropolis presents six short films that examine the complexity of urban life in Abidjan, Cairo, Dakar, Johannesburg, Lagos and Nairobi. They run the gamut of genres, but in all the central character is the city itself. A Jewish pensioner lives alone in a Johannesburg apartment, the last resident of an ever-changing city. In a Nairobi of the future, one man searches for the girl of his dreams. Dakar is the backdrop to an intimate conversation between two women. Abidjan once played host to the American artist Jean-Michel Basquiat. In Cairo a musician sees the gap between rich and poor expand. And a final film confronts the perils of the poverty trap.

The vitality of the African city has provided local filmmakers with a rich array of stories for their films. African Metropolis presents six short films that examine the complexity of urban life in Abidjan, Cairo, Dakar, Johannesburg, Lagos and Nairobi. They run the gamut of genres, but in all the central character is the city itself. A Jewish pensioner lives alone in a Johannesburg apartment, the last resident of an ever-changing city. In a Nairobi of the future, one man searches for the girl of his dreams. Dakar is the backdrop to an intimate conversation between two women. Abidjan once played host to the American artist Jean-Michel Basquiat. In Cairo a musician sees the gap between rich and poor expand. And a final film confronts the perils of the poverty trap.

Jean-Michel Basquiat’s voyage of spiritual atonement to the Ivory Coast shortly before his death is the inspiration for Ivoirian Philippe Lacôte’s To Repel Ghosts, a captivating re-enactment of the artist’s experience.