Manuel Abramovich

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

En Berlín, siete trabajadores sexuales rumanos son retratados mientras escuchan y reaccionan a grabaciones de sus propias experiencias. La cámara se vuelve cliente y el proceso de ex- plotación se convierte en espectáculo, en el que se resalta la inevitable performatividad de las relaciones de poder.

En Berlín, siete trabajadores sexuales rumanos son retratados mientras escuchan y reaccionan a grabaciones de sus propias experiencias. La cámara se vuelve cliente y el proceso de ex- plotación se convierte en espectáculo, en el que se resalta la inevitable performatividad de las relaciones de poder.

En Berlín, siete trabajadores sexuales rumanos son retratados mientras escuchan y reaccionan a grabaciones de sus propias experiencias. La cámara se vuelve cliente y el proceso de ex- plotación se convierte en espectáculo, en el que se resalta la inevitable performatividad de las relaciones de poder.

En Berlín, siete trabajadores sexuales rumanos son retratados mientras escuchan y reaccionan a grabaciones de sus propias experiencias. La cámara se vuelve cliente y el proceso de ex- plotación se convierte en espectáculo, en el que se resalta la inevitable performatividad de las relaciones de poder.

Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.

Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.

Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.

Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.

Making-of documentary for Lucrecia Martel's Zama. Tracks director Manuel Abramovich's attempts to get Martel to let him film her in production.

Un joven decide incorporarse al ejército. Le asignan el puesto de tambor en la banda militar y su nueva rutina combina entrenamiento de guerra con ensayos musicales. ¿A qué se dedica el Ejército Argentino 40 años después de la dictadura militar? ¿Qué significa ser soldado en un país sin guerras?

Un joven decide incorporarse al ejército. Le asignan el puesto de tambor en la banda militar y su nueva rutina combina entrenamiento de guerra con ensayos musicales. ¿A qué se dedica el Ejército Argentino 40 años después de la dictadura militar? ¿Qué significa ser soldado en un país sin guerras?

Un joven decide incorporarse al ejército. Le asignan el puesto de tambor en la banda militar y su nueva rutina combina entrenamiento de guerra con ensayos musicales. ¿A qué se dedica el Ejército Argentino 40 años después de la dictadura militar? ¿Qué significa ser soldado en un país sin guerras?

In 1991, Flavio Cabobianco published his book “I Come From The Sun”. He was 10 years old and defined himself as a messenger from other planets. The book became a bestseller in Argentina and was translated into six languages, launching a media boom that turned Flavio into a New Age phenomenon. Twenty years later, Flavio decides to re­publish his book and agrees to be part of a documentary about his story. After a year’s shooting, Flavio, unhappy with the pre­established roles of the movie, comes up with the idea of switching roles between himself and the director. If his demand is not met, he will abandon the film. Flavio’s questioning leads to a change in the course of action: “Solar” is no longer a movie about Flavio and his family, but a power battle between director and subject.

Three firefighters try not to fall asleep while waiting for a fire to make them leave the barracks. "Incendio / Rescate" watches closely, in an almost dreamlike way, these characters who spend their time waiting for the opportunity to become heroes.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

Beatriz Portinari is not only the name of the inspiring muse of Dante Alighieri, but also the pseudonym with which the Platense writer Aurora Venturini was presented in 2007 to the Nueva Novela contest, organized by the newspaper Página 12, in which she won the grand prize for their work The bonuses. Full of mischief and grace, vitality and mystery, with great character and lucidity, this woman who throughout her ninety-one years never stopped writing, had a life totally linked to the literature and history of the twentieth century: she knew , was a friend and worked with Eva Perón in a minority center; in his exile he became associated with Simone de Beauvoir and Jean-Paul Sartre, among others; and received a prize from Jorge Luis Borges, among many other things.

“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.