Max Kestner

The meaning of life, death and everything else? The possible answers are plenty in Max Kestner's adventurous film, which starts when the death of a giraffe at the Copenhagen Zoo goes viral from Hollywood to Chechnya.

The meaning of life, death and everything else? The possible answers are plenty in Max Kestner's adventurous film, which starts when the death of a giraffe at the Copenhagen Zoo goes viral from Hollywood to Chechnya.

The meaning of life, death and everything else? The possible answers are plenty in Max Kestner's adventurous film, which starts when the death of a giraffe at the Copenhagen Zoo goes viral from Hollywood to Chechnya.

Elisabet wakes up one night and isn't sure if it was her own scream that woke her. At the same time Lucia crosses Plaza Tetuan and is hit by a wind that awakens a childhood memory. Both women carry a loss. We don't know how it is to be the person that sits next to us on the metro. Sometimes we still find ourselves reaching out for him or her. Sometimes we get a hold while other times they slip through our fingers. One Thursday, Elisabet and Lucia ride the same metro in the direction of Pobleneu.

When we die, there are still some practicalities that need to be taken care of before our time among the living is finally over. In Meanwhile on Earth we enter the world around our end station, an industry of death. It is a place where the existential meets the mundane, the sacred meets the profane.

Three Danish polar scientists tragically lost their lives during an expedition to North-Eastern Greenland from 1906-08. Only one of them was found. More than a hundred years later the mystery and tragedy still nags indomitable amateur historian Steffen Holberg, who is absolutely determined to solve it. With help from knowledgeable people, professional experts and state archives, he moves ever deeper into the rugged terrain between truth and myth, fiction and reality to find out what happened - if he can. Mylius-Erichsen, Høgh Hagen, and Jørgen Brønlund died in the wilderness, but the expedition's search team only found Brønlund's dead body and did not even look for the other two. But why not? In his poetic and imaginative signature style, Max Kestner pays tribute to Holberg's curiosity and to the fundamental human desire to satisfy it. 'Every time you move closer, new worlds appear,' says Kestner about his own working method.

Three Danish polar scientists tragically lost their lives during an expedition to North-Eastern Greenland from 1906-08. Only one of them was found. More than a hundred years later the mystery and tragedy still nags indomitable amateur historian Steffen Holberg, who is absolutely determined to solve it. With help from knowledgeable people, professional experts and state archives, he moves ever deeper into the rugged terrain between truth and myth, fiction and reality to find out what happened - if he can. Mylius-Erichsen, Høgh Hagen, and Jørgen Brønlund died in the wilderness, but the expedition's search team only found Brønlund's dead body and did not even look for the other two. But why not? In his poetic and imaginative signature style, Max Kestner pays tribute to Holberg's curiosity and to the fundamental human desire to satisfy it. 'Every time you move closer, new worlds appear,' says Kestner about his own working method.

Three Danish polar scientists tragically lost their lives during an expedition to North-Eastern Greenland from 1906-08. Only one of them was found. More than a hundred years later the mystery and tragedy still nags indomitable amateur historian Steffen Holberg, who is absolutely determined to solve it. With help from knowledgeable people, professional experts and state archives, he moves ever deeper into the rugged terrain between truth and myth, fiction and reality to find out what happened - if he can. Mylius-Erichsen, Høgh Hagen, and Jørgen Brønlund died in the wilderness, but the expedition's search team only found Brønlund's dead body and did not even look for the other two. But why not? In his poetic and imaginative signature style, Max Kestner pays tribute to Holberg's curiosity and to the fundamental human desire to satisfy it. 'Every time you move closer, new worlds appear,' says Kestner about his own working method.

2095. El mundo está devastado por el desastre ecológico. Los océanos han aumentado y el agua natural ha desaparecido. Fang Rung se somete a un procedimiento de fisión molecular para enviar su otra mitad, con nombre de código Gordon Thomas, en el tiempo hasta el año 2017. Gordon va en busca de la científica Mona Lindkvist cuya investigación fue descubierta antes de que pudiera salvar al mundo. Cuando Fang Rung pierde contacto con Gordon, no ve otra alternativa que viajar hasta 2017, tratando de localizar su otra mitad antes que los daños del mundo sean irreparables...

2095. El mundo está devastado por el desastre ecológico. Los océanos han aumentado y el agua natural ha desaparecido. Fang Rung se somete a un procedimiento de fisión molecular para enviar su otra mitad, con nombre de código Gordon Thomas, en el tiempo hasta el año 2017. Gordon va en busca de la científica Mona Lindkvist cuya investigación fue descubierta antes de que pudiera salvar al mundo. Cuando Fang Rung pierde contacto con Gordon, no ve otra alternativa que viajar hasta 2017, tratando de localizar su otra mitad antes que los daños del mundo sean irreparables...

Peter (42) y Kristian (39) trabajan duro para convertir su sueño en realidad. Están muy ocupados construyendo una nave espacial que sea capaz de llevar un hombre al espacio. Peter será el astronauta en el primer viaje, tal y como exigió la novia de Kristian. Ambos permanecen encerrados en un viejo y sucio taller de Copenhague, donde trabajan en su vehículo espacial. Peter Madsen es un constructor de submarinos autodidacta, especializado en hacer posible lo imposible. Él es responsable del motor de propulsión que se supone ha de llevar la astronave fuera de la atmósfera terrestre. Kristian Von Bengtson ha trabajado anteriormente para la NASA y es responsable de construir el cuerpo de la nave que llevará a Peter al espacio, y luego lo traerá de vuelta a casa.

When Thomas Altheimer sues his former friend and fellow artist Claus Bech-Nielsen for identity theft in the shape of the book "Sovereign", it sends Altheimer into a maze of Kafkaesque paranoia.

People in a room in an apartment in a house on a street in a city. "Dreams in Copenhagen" is Max Kestners's documentary film portrait of Denmark's capital. A film about the physical surroundings that are part of shaping our lives. About the buildings we wake up in, the front doors we walk out of, the streets we traverse. It is also a film about how the way we live our lives affect our physical surroundings. About places we dream of and the walls onto which we scratch the names our loved ones, before it is too late.

This is Denmark. This is Denmark’s most sold car. This house’s worth has doubled over the last 3 years. A measuring tape and some hedges. So begins Max Kestner’s story on Denmark. With an even-keeled narrative, this film takes us on a kaleidoscope tour around Denmark— from an editorial meeting at a magazine, to dictation in an Elementary school; from singing in a kindergarten, to a family planning their vacation; from a meeting with Pia Kjærsgaard, to a real estate agent in front of a newly sold house and a Danish landscape seen from above. These everyday situations tell universal stories about us. These are contemporary stories. This is Denmark’s world. With speed we shift through each story from up close to far away. This film is a mix of studio recordings with Denmark as its setting. This story is linear with a system of coordinates and a range of colors on repeat. Pseudo-scientific scenes are instruments that make it possible to isolate and compare objects and people.

This is Denmark. This is Denmark’s most sold car. This house’s worth has doubled over the last 3 years. A measuring tape and some hedges. So begins Max Kestner’s story on Denmark. With an even-keeled narrative, this film takes us on a kaleidoscope tour around Denmark— from an editorial meeting at a magazine, to dictation in an Elementary school; from singing in a kindergarten, to a family planning their vacation; from a meeting with Pia Kjærsgaard, to a real estate agent in front of a newly sold house and a Danish landscape seen from above. These everyday situations tell universal stories about us. These are contemporary stories. This is Denmark’s world. With speed we shift through each story from up close to far away. This film is a mix of studio recordings with Denmark as its setting. This story is linear with a system of coordinates and a range of colors on repeat. Pseudo-scientific scenes are instruments that make it possible to isolate and compare objects and people.

Docu-comedey about danish musician Rasmus Nøhr and manager Morten Holm trying to break through to the music industry.

This is the story of Max, the director's own story, playfully animated within the realms of documentary. Max's story goes back several generations to sailors, industrialists and Summer of Love hippies, all of whom are depicted with whole-hearted love and equal amounts of irony.

This is the story of Max, the director's own story, playfully animated within the realms of documentary. Max's story goes back several generations to sailors, industrialists and Summer of Love hippies, all of whom are depicted with whole-hearted love and equal amounts of irony.

This is the story of Max, the director's own story, playfully animated within the realms of documentary. Max's story goes back several generations to sailors, industrialists and Summer of Love hippies, all of whom are depicted with whole-hearted love and equal amounts of irony.

Documentary series about Diana, Lotte, Kragelund, Tobisen, Lau and Anna who all work at the local factory Viking in Esbjerg, Denmark. Now they fear for their jobs.

Documentary series about Diana, Lotte, Kragelund, Tobisen, Lau and Anna who all work at the local factory Viking in Esbjerg, Denmark. Now they fear for their jobs.