As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).
Zano le propone un proyecto a su compañera Naïma, una joven de origen argelino: un viaje a través de Francia y España hasta llegar a Argelia, para que conozca la tierra que sus padres tuvieron que abandonar. Enamorados de su libertad, dejan transcurrir el tiempo hechizados por la sensualidad andaluza, antes de cruzar el Mediterráneo. Así es cómo reconstruyen al revés el camino del exilio.
Fatna
The film is about the suffering of a mother with one of her sons who asks her to sell the family home, one of the traditional old houses, to repay his debts, but she categorically refuses to bow to his request in favor of the "commandment" of her husband, who recommended before his death to keep the house.
A girl lives with her mother in Paris. Her life changes when she finds out that her father lives in Morocco and embarks on a journey to find him.
The film restores the usual atmosphere created by the fans during clasicos Barca vs Reak. The story takes place in popular district, where a powerful barbu(Boulahwajeb), leads a hunt for the barca fans. Sample of all the arenas of a wrestling, a real battle and a squabble that rarely stops ans knows its apogee at the approach of each classico.
