Kilink is between 2 rival gangs and manages to turn one against the other. All of them are after a precious microfilm and a big foreign treasure. Kilink proves to be the most perfect Fantomas of them all, changing disguises more often than he changes socks. At the same time, it's raining gorgeous ladies all over the place. Most of them rivals....All of them falling for him or off balconies, pushed by him. In a brilliant sequence, he punches a treacherous pussycat, strangles her with his bare hands and chucks her off a balcony. The film features the classic torture-the-tied-woman scenes. In one of them, even a snake is used for a quicker confession. Endless shootouts, car chases, murders, beat ups and plot twists make this sequel one of the best Turkish auctioneers ever.
Turkish spy Golden Boy takes a London vacation while, back in Istanbul, baddies are running rampant shooting people and thwarted secret messages with wild abandon. Turns out this mayhem is all the handiwork of a nefarious, Blofeld-esque bad baddie (Günbay) who enjoys petting a white kitty cat when he isn't plotting to blow up Turkey with a atomic bomb. Can our Golden Boy stop it in time when he isn't distracted by all the belly dancers and extended fist fights?
This is the story of a young man who rebels against the Agha class in the east side of Turkey. The story ends with the death of the young man, who remains in the little girl he left an orphan and the young widow who is passionately in love with him.
Young people who come together for revenge begin to be affected by each other. Young people resort to all sorts of ways to overcome their father's hostility.
After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.
