Fernand Crommelynck
Nacimiento : 1886-11-19, Paris, France
Muerte : 1970-03-17
Author
Andrea Artust (Ugo Tognazzi), convencido de lo fácil que le resulta a una mujer engañar a su marido, empieza a albergar dudas sobre la fidelidad de su bellísima mujer (Claudia Cardinale). Pero, cuando la duda se convierte en obsesión, su conducta respecto a su mujer se vuelve completamente disparatada, hasta el punto de acosarla sin tregua, exigiéndole que le dé el nombre de su amante.
Theatre Play
Andrea Artust (Ugo Tognazzi), convencido de lo fácil que le resulta a una mujer engañar a su marido, empieza a albergar dudas sobre la fidelidad de su bellísima mujer (Claudia Cardinale). Pero, cuando la duda se convierte en obsesión, su conducta respecto a su mujer se vuelve completamente disparatada, hasta el punto de acosarla sin tregua, exigiéndole que le dé el nombre de su amante.
Screenplay
A young woman has doubts about her husband's fidelity. She pretends a trip, but settles in a hotel where her husband must pass. He meets her and, disturbed by the one he believes to be his wife's double, becomes her lover. Little by little the truth breaks through. The husband takes leave of the mistress and returns to the wife whose return has been announced.
Dialogue
A young Breton sailor falls in love with a visiting stranger called 'La Glu'. He drops his betrothed, mother and friends so that he can live with her. La Glu is murdered. Who did it? Relatives and friends are all suspects.
Screenplay
Cattion d'Urville takes in a gypsy, Sarah, and her granddaughter Miarka, in an outbuilding of her chateau. Miarka, while growing up, attracts the attention of Luigi, Cattion's nephew who, little by little, falls in love with her. Sarah raised her daughter in the tradition of gypsies who curse anyone who marries a man who is not a gypsy. Miarka ends up loving Luigi and he wants to marry her. The law of race opposes it. Fortunately, a well-conducted genealogical investigation will discover that Luigi is of the gypsy race. They will marry.
Screenplay
Good King Pausole selects a wife for every day in the year, but one protests when he spends her day searching for young Princess Aline who has eloped with Giglio, a visiting airman stranded in the kingdom. Giglio comes from a modern and different world and this gives Queen for a Day some ideas about how to make her title a lasting one.
Yan Beyart
The film is based on the bitter rivalry of two pigeon racers, Fred, the bell-ringer of Bruges and Neel, the fiancé of Fred's partially sighted sister. Following a major tournament, won by Neel's bird, Fred's resentment drives him to mount an attack upon his rival so ferocious that he believes he has killed him. Seized by remorse, he intends to throw himself from the belfry, but his disabled sister risks her own life to mount to the tower and try to save him.
René Forgeois
War drama about a woman hero, in love with a military engineer and coveted by his odious collaborationist krauts . She does not give in to the blackmail of a German who is lying to her about her fiancé's alleged death. The only remnant of the Belgian production of the Frenchman Bergerat.
Monsieur Modzel
An army pilot is visiting the home of another army pilot in a neighboring country, and falling in love with his sister, when war breaks out.
Santher
On instructions of the French company Pathé Frères, Alfred Machin develops a film industry in the Netherlands and Belgium from 1912 to the advent of World War One. He directs several quality films including La Fille de Delft, Maudite soit la Guerre and this wonderful gem Le Diamant Noir. A man is accused of theft and decides to quit the country. Machin's favourite pet, the panther Mimir shares the lead roll in this film with a magpie.
Found recently and restored in 2019 this short silent film tells the story of an artist and his model. One day she's getting seriously ill ... .