This semi-musical stars Lenv Marenbach as Jana, a naïve farm girl who falls in love with a neighbor boy. It isn't long before she realizes that the romance is a mistake, but by now the couple is engaged. At the very last moment, Jana balks at the altar and runs off with her true love, her fiance's brother. This is the German-language version of the Czech film, JANA, starring Helena Busova.
On the coast of Yugoslavia lives fisherman Ivo Kralj, his wife Marie, son Vuk, and Ivo's mother in one happy home. Marie, who loves her husband and always looks forward to his return from sea, attracts Nikola, with whom Ivo, out of jealousy, has a scuffle at a dance. After the outbreak of World War I Ivo is mobilized. He ends up in a P.O.W. camp where he is subjected to hard labour. His family then receives news of his death. The years pass and the lonely widow Marie is occasionally visited by her friend Nikola. Ivo's mother would like her to remarry. Soon after the wedding Marie becomes pregnant. Ivo, who has been thought dead, succeeds in escaping the P.O.W. camp where he has spent several years. Upon his arrival home he finds his name on a memorial erected to the victims of the war...
Curious citizens await the arrival of an important guest, the son of poacher, who became famous abroad. Begins celebration in his honor, but nobody knows that instead of the hero arrived cursory prisoner number 1313. He quickly understand how things are and decides to take the opportunity and very quickly gets into a new role.
“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).
The most important silent film by director Martin Frič. Poet Vitezslav Nezval did scenographic modifications to the original story by Václav Wasserman. Film producer Jaroslav Stransky didn’t witness premier; because of fear of financial collapse, he killed himself.