Helmut Grewald

Películas

Abschiedsdisco
Cinematography
A village has to be destroyed for coal mining. Henning, a 15 years old boy, who wants to visit his grandfather one more time, realizes that nothing will be the way it used to be.
Ein brauchbarer Mann
Cinematography
Ein brauchbarer Mann
Writer
School Ghost
Cinematography
Carola is a mischievous girl who doesn't care much for school- except for sports and recess, of course. Without her good friend Willi to keep her on the straight and narrow, she would really be in trouble. One day at school, Carola has an idea. She invents what she calls "International Ghosts' Day" and a ghost named "Buh" to go with it. When Buh turns out to be less-than-imaginary the two decide to switch places, with Buh taking on all the schoolwork, and Carola taking the opportunity to play practical jokes on all her friends...
White Cloud Carolin
Cinematography
It's no big secret that twelve-year-old Hannes is in love with his classmate Carolin, who he compares to a beautiful white cloud in the sky. But when Carolin spends most of her time exploring the village's history with Benno, Hannes becomes increasingly jealous of his rival. The only person who is happy about this situation is Kerstin, who is in fact interested in Hannes. In order to impress Carolin, Hannes takes her and several others out for a boat ride in the nearby Bay of Greifswald, but his plan takes a deadly turn as a storm approaches.
Moritz in der Litfaßsäule
Cinematography
No one has any time for Moritz. And at school, things are not exactly the greatest either. Moritz runs away and moves into the inside of an advertising pillar. A speaking cat, a circus girl and a street sweeper become his new friends. Gradually, they help the young boy to realize that running away does not solve anything.
Taubenjule
Cinematography
Eleven-year-old Jella lives with her mother in a rural idyll in which both feel at home and comfortable. Then, however, they move to the city where her father works. On parting, her friend Freitag presents Jella with a pair of pigeons. Although Jella is looking forward to life in the city, she is unable to accustom herself to her new surroundings. She is being picked on by the other children, and a neighbor′s son even releases her pigeons. They fly back to Freitag who returns them to Jella. When Jella visits the village one day, she is disappointed to learn that she has become a stranger there, as well. The two pigeons, however, which she has left at Freitag′s place, know by now where their new home is and fly back to the city. Jella follows them and realizes that it is only a matter of time until she herself will feel at home in the city.
A Long Way to School
Cinematography
A young boy fantasizes his way to school into a battle between cowboys and Indians, where the bad guys want to steal some gold medals. Real events and fantasy interacts in his mind.
Anamnese
Cinematography
Achillesferse
Cinematography
Ein Schneemann für Afrika
Cinematography
The little African girl Asina is eagerly waiting for her new friend Karli. Karli is a young sailor from Rostock who has promised her a gift on his next arrival in Coccatuttibana. Karli keeps his promise and smuggles a stowaway onboard the “MS Wismar”. Kasimir, a snowman, finds shelter in a cooling chamber. Although the journey turns out to be turbulent, Karli and Kasimir manage to arrive in Africa in good health.
Flowers for the Man in the Moon
Cinematography
Adam, Evchen, and Manni are looking at the moon through their home-made telescope. Evchen isn't interested, and dismisses the moon as a lump of cheese. Manni, who is a big fan of technology, sees satellites and a car driving over the moon's surface. But Adam hears the moon speak, and hears it ask for flowers to cover its surface. From then on, Adam is determined to breed a kind of flower that can grow on the moon.
Ist‌anbul – Masche
Director of Photography
Verdacht auf einen Toten
Cinematography
Film by Rainer Bär.
Im Himmel ist doch Jahrmarkt
Director of Photography
Five young, pretty female athletes are training for an international skydiving contest. From heaven they basically fall straight into the arms of five charming young men. Their coach is less than thrilled about the flirtation and urges his athletes to concentrate on the contest. He is convinced that love-making will put the victory to risk and asks them for sexual abstinence. The power of love turns out to be stronger, however, and soon the first love couples find each other.
We Are Getting Divorced
Cinematography
Monika and Johannes are married. With increasing frequency, their son Manni becomes the focus of their arguments. Since the two cannot agree to a compromise, they decide to break up. The ten-year-old Manni is supposed to spend four weeks with Monika followed by four weeks with Johannes on an alternating basis. They want to prove to each other who has the better parenting skills. The plan fails, however, because Manni is very good at playing his parents off against each other. When Monika and Johannes finally see through their son’s game, they realize that their way of life does not lead to better parenting and they conclude that good parenting can only be achieved if they work together.
Hochzeitsnacht im Regen
Cinematography
This comedic musical tells the story of Gabi, a young hairdresser from the Baltic coast who desperately wants to be a jockey. One day, she packs her bags, drives to Hoppegarten, and is soundly rejected by the head coach. Gabi doesn't want to give up, and in order to at least have a roof over her head, she rushes into a marriage with the seemingly nice Freddie. However, this marriage soon proves to be her second rejection, as Freddie openly dislikes the fact that she wants to be a jockey.
When You’re Grown Up, Dear Adam
Cinematography
Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.
Nichts als Sünde
Cinematography
Based upon Shakespeare′s "Twelfth Night", the movie tells the story of the Duke of Illyria who is in love with the Countess Olivia. Olivia, however, keeps eluding him. When the Duke sends her a page to bring her a message, Olivia falls in love with the messenger who is in fact a woman called Viola. After she was shipwrecked on the shores of Illyria, Viola assumed the role of her missing brother. She cannot return Olivia′s love because she, in turn, adores the Duke.
Nichts als Sünde
Writer
Based upon Shakespeare′s "Twelfth Night", the movie tells the story of the Duke of Illyria who is in love with the Countess Olivia. Olivia, however, keeps eluding him. When the Duke sends her a page to bring her a message, Olivia falls in love with the messenger who is in fact a woman called Viola. After she was shipwrecked on the shores of Illyria, Viola assumed the role of her missing brother. She cannot return Olivia′s love because she, in turn, adores the Duke.
Es geht nicht ohne Liebe
Director of Photography
Fog
Cinematography
At the beginning of the 1960s, a German turns up on behalf of the NATO in the British village of Rocksmouth. NATO wants to establish a naval base in Rocksmouth, but first, the German envoy has to salvage an old ship wreck. In 1942, the "Princess of India" was supposed to bring children to safety in Canada but was sunk by a German submarine at departure. 58 people were killed, most of them children.
Der Tod hat ein Gesicht
Cinematography
Wo der Zug nicht lange hält
Cinematography
Film by Joachim Hasler.