Ola Balogun

Documentary about religious customs in Brazil that stem from Africa.

Documentary about religious customs in Brazil that stem from Africa.

Documentary about the music scene of Barbados.

Documentary about the music scene of Barbados.

Balogun's last film shot on 16mm, The Magic of Nigeria is a documentary that explores the culture and traditions of Nigeria as they are expressed in religion, art and everyday life, accompanied by a poetic voiceover.

Balogun's last film shot on 16mm, The Magic of Nigeria is a documentary that explores the culture and traditions of Nigeria as they are expressed in religion, art and everyday life, accompanied by a poetic voiceover.

Balogun's last film shot on 16mm, The Magic of Nigeria is a documentary that explores the culture and traditions of Nigeria as they are expressed in religion, art and everyday life, accompanied by a poetic voiceover.

Documentary about jet fighters flying for the Nigerian air force.

Documentary about jet fighters flying for the Nigerian air force.

River Niger, Black Mother follows the 4184-kilometer-long River Niger from its source in Guinea through Mali, Niger and Benin to Nigeria. A passionate ode to the river, the cultures that have arisen on its shores and its role in African history, accompanied by a lyrical commentary.

River Niger, Black Mother follows the 4184-kilometer-long River Niger from its source in Guinea through Mali, Niger and Benin to Nigeria. A passionate ode to the river, the cultures that have arisen on its shores and its role in African history, accompanied by a lyrical commentary.

Film about activities of the Red Cross.

Film about activities of the Red Cross.

Prisoner exchange between Ethiopia and Eritrea.

Prisoner exchange between Ethiopia and Eritrea.

Documentary about a new african news agency.

Documentary about a new african news agency.

Corruption threads to destroy a young love.

Corruption threads to destroy a young love.

Documentary about food provessing.

Documentary about food provessing.

Balogun's most political film is a confrontation with the African wars of liberation. Based on Carcase for Hounds, Meja Mwangi's novel about the Mau-Mau uprising, it is set in an unnamed country and thus offers the vision of a pan-African struggle for freedom and against colonial oppression. The central figures in the straightforwardly and powerfully told story are the guerrilla leader Haraka and his adversary, the English colonial official Kingsley. In the end, the film becomes a homage to the freedom fighters from all over Africa: the final images show Patrice Lumumba, Steve Biko, Nelson Mandela and Amílcar Cabral, among others.

Balogun's most political film is a confrontation with the African wars of liberation. Based on Carcase for Hounds, Meja Mwangi's novel about the Mau-Mau uprising, it is set in an unnamed country and thus offers the vision of a pan-African struggle for freedom and against colonial oppression. The central figures in the straightforwardly and powerfully told story are the guerrilla leader Haraka and his adversary, the English colonial official Kingsley. In the end, the film becomes a homage to the freedom fighters from all over Africa: the final images show Patrice Lumumba, Steve Biko, Nelson Mandela and Amílcar Cabral, among others.

A film by Ola Balogun

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Nigerian film directed by Ola Balogun.

Nigerian film directed by Ola Balogun.

Directed by Ola Balogun.

Documentary about Eastern Nigeria after the civil war.

Documentary about Eastern Nigeria after the civil war.

Short documentary about folk customs in Nigeria.

Short documentary about folk customs in Nigeria.

Short film based on a Yoruba folk tale.

Short film based on a Yoruba folk tale.

Ola Balogun's first feature film was made in France and focuses on a group of young Black intellectuals and artists. At the centre is Alpha, whose scepticism about fixed appellations is also expressed in his own chosen name. In his Parisian garret, the characters debate politics, art and philosophy and negotiate Black identity and cultural heritage. The action continues on its improvised way in the cafés, parks and nightclubs of Paris until Alpha finds himself between the fireworks and the celebrating masses on Bastille Day – in the middle and yet on the margins.

Ola Balogun's first feature film was made in France and focuses on a group of young Black intellectuals and artists. At the centre is Alpha, whose scepticism about fixed appellations is also expressed in his own chosen name. In his Parisian garret, the characters debate politics, art and philosophy and negotiate Black identity and cultural heritage. The action continues on its improvised way in the cafés, parks and nightclubs of Paris until Alpha finds himself between the fireworks and the celebrating masses on Bastille Day – in the middle and yet on the margins.