Cengiz Tacer

Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.

Una sátira de las películas de Emmanuelle

In Turkey, the son of a rich manager is kidnapped. This boy finds a friend in one of the kidnapper when the adventures evolve.

In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.

A jealous husband makes a deal with Ahmet, a private detective, to catch his cheating wife. The person with whom the man's wife is secretly together is Harun. However, nothing goes as expected and Ahmet's daughter Zeynep falls in love with Harun.

I Lost My Heart to a Turk is the story of a German woman Eva Bender, who is deserted by a Turkish worker in Germany five years earlier and left alone with a child Zafer. Eva's father refuses his illegitimate grandson from a Turkish worker. She comes to Kayseri, Turkey with her illegitimate child to seek her lover, Ismail Acar. Ismail is now working at Sümer Cotton Cloth factory as a mechanic and establishing a small private business. Eva finds her ex-lover Ismail who now lives with his wife and children. Humiliated by her ex-lover, the German woman receives assistance by another Turkish worker, Mustafa.

Three women love the same man. Providing a wealth of variation on the love-hate relationship, the tension between them climbs to a climax in their rivalry.

Sevket is killed while he escaping blood vengeance. After that, Döndü must look after her children in despite of poverty and blood vengeance.

In order to avenge her father's murder, a girl marries his killer, but soon realizes that she is in fact in love with him.

A genocide story that falters between a spoiled and rich girl and a poor girl.

Duygu Sagiroglu, known as an art director, depicts the class conflict and exposes the injustice and contradictions of the modern Turkish life. Yilmaz Güney confirms his acting qualities with a pathetic composition.