Gō Takamine

Gō Takamine

Nacimiento : 1948-11-12, Ishigaki, Okinawa, Japan

Perfil

Gō Takamine

Películas

Queer Fish Lane
Writer
X years after the “Shima pshoo” incident, aging Tarugani and Papajo are best friends who live in Patai Village, where those who failed to die continue to exist. When the two find themselves framed as thieves who stole an illegal substance from the local store, they set out on the road, chased by three dripping wet mysterious women.
Queer Fish Lane
Director
X years after the “Shima pshoo” incident, aging Tarugani and Papajo are best friends who live in Patai Village, where those who failed to die continue to exist. When the two find themselves framed as thieves who stole an illegal substance from the local store, they set out on the road, chased by three dripping wet mysterious women.
Tsuru-Henry
Writer
Tsuru is a roving broadcaster and collector of singing-and-dancing DNA samples, kept in her lunchbox. One day she finds an abandoned script (its penniless author has fled to Taiwan in search of a woman) and so she moves into the writer's house and sets about staging it as a play.
Tsuru-Henry
Director
Tsuru is a roving broadcaster and collector of singing-and-dancing DNA samples, kept in her lunchbox. One day she finds an abandoned script (its penniless author has fled to Taiwan in search of a woman) and so she moves into the writer's house and sets about staging it as a play.
Untama giru
Writer
A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.
Untama giru
Director
A magical realist story of the legendary Okinawan hero Untamagiru participating in efforts to form an independent Okinawa before the island was returned to Japan in 1972.
Paradise View
Writer
Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
Paradise View
Director
Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
Okinawan chirudai
Director
1979 film
オキナワン・ドリーム・ショー
Director