André Carvalheira

Películas

New Life S.A.
Screenplay
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
New Life S.A.
Director
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
We Still Have the Deep Black Night
Camera Operator
Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.
We Still Have the Deep Black Night
Director of Photography
Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.
Maria Luiza
Camera Operator
The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.
Maria Luiza
Director of Photography
The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.
Comeback
Cinematography
Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.
La locura de una mujer
Director of Photography
A woman leaves her career in dancing to dedicate her life to her husband, a famous politician. Fifteen years after, she leaves her luxurious life to resume what she left behind years ago.
Dias de Greve
Cinematography
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.
Uma Noite com Ela
Cinematography
In a small elevator, a man and a woman prepare for a night out for two. And now? At night, anything can happen.
Dom Helder Câmara - O Santo Rebelde
Director of Photography
Toda Brisa
Director