Nitin Bose
Nacimiento : 1897-04-26, Calcutta - India
Muerte : 1986-04-14
Historia
An Indian film director, cinematographer and screenwriter of the nation's film industry. In the 1930s and early 1940s, he worked with New Theatres, who made bilingual movies: in both Bengali and Hindi. Later, he moved to Bombay and directed under the banners of Bombay Talkies and Filmistan. The first use of playback singing in Indian films occurred in films directed by Bose in 1935: first in Bhagya Chakra, a Bengali film, and later the same year in its Hindi remake, Dhoop Chhaon. His most well-known work is Ganga Jamuna. Satyajit Ray was a nephew of Bose and worked under him in the movie Mashaal (1950), which was produced by Bombay Talkies. Bose also mentored Bimal Roy
Director
A modern reformist professor helps a courtesan in her endeavour to achieve high academic level and respectability. They face open opposition and hostility by society but do not relent.
Director
Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.
Director
In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?
Director of Photography
An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.
Director
An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.
Director
A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.
Writer
Uttam Kumar debuted in this film.
Director
Uttam Kumar debuted in this film.
Director
A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.
Director
Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.
Writer
A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.
Cinematography
A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.
Director
A famous radio singer Mohan (Saigal) is in love with Geeta (Leela Desai). When he goes to his friend a doctor, TB Specialist, Bijoy (Bhanu) for a check-up, he is found to be in an advance stage of TB. Meanwhile Leela's dominant mother and aunt (Nibhanani and Manorama) had been against the poor Mohan and had set their eyes on same Dr. Bijoy, the son of a family friend. When Mohan comes to know of it, and also his sickness, he decides to walk away from them. He is intercepted by a doctor who ran a sanatorium for TB patients, with some new method of treatment. Geeta couldn't forget Mohan and waited, but in the end she had to relent. Then it was known that Mohan was alive and cured. What would now Bijoy and Geeta do? There wedding was the next day, and they have to go ahead with it, the honour of both the families were at stake. Mohan too aware of his being exposed, disappears from the sanatorium and is untraceable.
Cinematography
Un famoso musical Saigal que narra una extraña historia de amor.
Director
Un famoso musical Saigal que narra una extraña historia de amor.
Cinematography
Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory
Writer
Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory
Director
Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory
Director
A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.
Director
The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.
Director of Photography
A simple recording of Tagore's 1926 dance drama on Buddhist legend.
Director of Photography
Director of Photography