Yvan Lagrange
Nacimiento : 1950-01-03, Paris, France
Historia
The son of a painter and plastician father and a photographer mother, he also is the nephew of a cinematographer. A film director since 1967, he directed experimental films. He played in a few films (1967 Le Sourire bleu, short; 1972 What a Flash!, Jean-Michel Barjol; 1976 La Ville Bidon, Jacques Baratier, shot in 1970) and has exhibited his paintings and photos in many galleries since the early 1990s.
Director
A short film by Yvan Lagrange with music from David Bowie and Brian Eno.
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Last short film directed by Yvan Lagrange. A human-looking alien, arriving from a water planet, discovers Paris, humans, society and its rules, love.
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Last short film directed by Yvan Lagrange. A human-looking alien, arriving from a water planet, discovers Paris, humans, society and its rules, love.
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Last short film directed by Yvan Lagrange. A human-looking alien, arriving from a water planet, discovers Paris, humans, society and its rules, love.
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Music
During a game of rite-of-passage, a couple of teenagers dive in the deep waters of a swimming-pool where they discover another dimension.
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During a game of rite-of-passage, a couple of teenagers dive in the deep waters of a swimming-pool where they discover another dimension.
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A musical fresco retracing the lives of singers in the 1960s.
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A musical fresco retracing the lives of singers in the 1960s.
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Botticelli's Venus emerges from the waters, that of Yvan Lagrange, is she shipwrecked?...
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Botticelli's Venus emerges from the waters, that of Yvan Lagrange, is she shipwrecked?...
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Family, religion, food, sex, death. All the obsessions of Yvan Lagrange in one film.
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Family, religion, food, sex, death. All the obsessions of Yvan Lagrange in one film.
Family, religion, food, sex, death. All the obsessions of Yvan Lagrange in one film.
Director
Family, religion, food, sex, death. All the obsessions of Yvan Lagrange in one film.
Sound
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Editor
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Writer
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Tristan
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Director
This magnificently photographed French film tells the ancient legend of Tristan and Isolde to the accompaniment of an operatic musical score by MAGMA. Tristan is a young warrior who has been sent to Ireland from Cornwall to bring back Isolde, the bride of his king. The two of them drink a love potion, fall in love, and, despite the wrath of their people, persist in their tragic love.
Producer
A film by Yvan Lagrange.
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A film by Yvan Lagrange.
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A film by Yvan Lagrange.
Philippe
A fake documentary on the life forms of the Paris Suburbs, viewed through the eyes of homeless, unemployed people the sharks of politics and building societies push to hopeless life.
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A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.
Director
A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.
Writer
One of the first medium-length films directed by Yvan Lagrange. Shot in black and white practically in its entirety, appreciating the influence exerted by Philippe Garrel on the author.
Director
One of the first medium-length films directed by Yvan Lagrange. Shot in black and white practically in its entirety, appreciating the influence exerted by Philippe Garrel on the author.
Una mujer joven, Jeanne, espera en un pintoresco café de Paris llamado "Au pan coupé" a su novio, un muchacho de veinte años, Jean, que de repente entra y va hacia ella. Sin saberlo aún, los dos amantes están al final de su amor, porque ese amor, a pesar de su juventud y su pasión, ha llegado a al límite. Sobre todo a causa del pasado, del carácter del muchacho, de su perpetua rebeldía que, a pesar de todos sus esfuerzos, Jeanne no ha logrado apaciguar... Los recuerdos de Jeanne son filmados en color y el presente en blanco y negro. Guy Gilles, el director, eligió esta opción para marcar con más fuerza la muerte presente del amor de Jeanne por Jean.
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