Erik Daarstad

Películas

Anita
Camera Operator
La historia de la joven y brillante afroamericana Anita Hill, que acusa al candidato a la Corte Suprema Clarence Thomas de avances sexuales no deseados durante explosivas audiencias en el Senado en 1991 y enciende una tormenta política sobre el acoso sexual, la raza, el poder y la política que resuena hoy.
Slow Fires: On the Preservation of the Human Record
Camera Operator
A documentary describing the devastating deterioration of intellectual documents such as pamphlets, photographs, films, drawings, and maps. Assesses the situation, demonstrates preservation and restoration techniques, and suggests ways to prevent deterioration in the future. Features remarks by several experts, writers, and historians, such as James Michener, Barbara Tuchman, Daniel Boorstin, and Vartan Gregorian.
Have You Ever Been Ashamed Of Your Parents?
Director of Photography
Two teenage girls, one rich and one middle-class, become best friends over the summer.
Bass on Titles
Director of Photography
Explores the visual art of Saul Bass and his contributions to film credits.
The Mysterious Monsters
Director of Photography
One of the many notorious 70's "unknown" documentaries, The Mysterious Monsters covers topics such as Bigfoot and the Loch Ness Monster. Pictures, sounds, and videos of these two monsters are examined by Peter Graves, the host. Psychics, hypnotism, and the history of Bigfoot in many ancient cultures is also scrutinized.
Slashed Dreams
Director of Photography
A couple on vacation in the woods is stalked by a pair of rapists.
The Men Who Made the Movies: Howard Hawks
Director of Photography
A documentary filmography of Howard Hawks, including lengthy footage of Hawks himself discussing his films and many clips from his best-known pictures.
Why Man Creates
Director of Photography
A 1968 animation/documentary that criticises the industrial system.
Los exiliados
Editor
The Exiles, uno de los filmes más singulares del cine americano independiente, se restauró y redescubrió en el 2008. En paralelo a Casavettes, McEnzie construye una ficción a partir de las historias de los propios protagonistas y sus amigos -un grupo de jóvenes nativos americanos en un distrito de Los Ángeles-. Exiliados de las reservas del sur, bailan, beben, salen, flirtean, asumen (bien o mal) el paso a la madurez. El filme documenta tanto unas vidas como una nueva manera de hacer cine, más libre, en correspondencia a sus propósitos: espacios reales, luz encontrada, fragmentos de vida. (FILMAFFINITY)
Los exiliados
Director of Photography
The Exiles, uno de los filmes más singulares del cine americano independiente, se restauró y redescubrió en el 2008. En paralelo a Casavettes, McEnzie construye una ficción a partir de las historias de los propios protagonistas y sus amigos -un grupo de jóvenes nativos americanos en un distrito de Los Ángeles-. Exiliados de las reservas del sur, bailan, beben, salen, flirtean, asumen (bien o mal) el paso a la madurez. El filme documenta tanto unas vidas como una nueva manera de hacer cine, más libre, en correspondencia a sus propósitos: espacios reales, luz encontrada, fragmentos de vida. (FILMAFFINITY)
Hell Squad
Director of Photography
During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper's debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo's debut film, as well as script supervisor Joyce King's.